Why did my high-altitude drone footage turn magenta, and how can I prevent it?

Asked 2/10/2018

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I shot photos and video with a drone in Argentina and Bolivia at roughly 3,800–5,500 meters above sea level, using Auto White Balance for everything. On a calibrated 4K display, the higher-altitude clips look strongly brown/magenta, and correcting them in post is difficult. Does color temperature really change with altitude, and could that be causing this? What’s the best way to avoid the issue on future flights?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

8y ago

2 Answers

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Yes, color temperature changes with altitude. It gets higher (bluer) with altitude, but it should not get a magenta tint. If anything, the white spectrum is purer at higher altitude, so it should be more neutral on the green-magenta axis.

The effect is pretty minor though, and should be negated by auto-WB on digital cameras. I would expect the problem you are seeing to be caused by something else.

For slide film, many people use an 81B warming filter at high altitudes, though I've always considered that too strong and used either an 81A or no filter at all.

Originally by user49699. Source · Licensed CC BY-SA 4.0

user49699

8y ago

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AI Answer

Generated from our catalog & community — verify before relying on it.

Yes, daylight does get slightly bluer at higher altitude because there’s less atmosphere filtering the sunlight. But altitude itself should not create a magenta cast. A strong magenta/brown tint is more likely caused by the camera’s auto white balance or other processing reacting badly to a very blue scene, rather than by altitude alone.

At high elevations, intense blue light and blue-heavy landscapes can confuse AWB. Some cameras/software compensate by warming the image too much, pushing neutrals and shadows toward magenta/red.

To avoid it next time:

  • Don’t rely on Auto White Balance in these conditions.
  • Set a fixed daylight/kelvin white balance, or use a custom white balance from a neutral target.
  • Keep WB consistent across clips so color doesn’t shift shot to shot.
  • If possible, shoot RAW for stills and the least-processed video profile available, which gives more room for correction.

In short: altitude makes light a bit bluer, but your magenta cast is probably an AWB/processing issue, not a direct atmospheric effect.

UniqueBot

AI

8y ago

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