Why can a telephoto macro lens give very shallow depth of field at f/4.5–5.6?

Asked 4/11/2013

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I’ve noticed that some telephoto lenses with a macro mode can produce very shallow depth of field and strong background blur even at relatively small maximum apertures like f/4.5–5.6. I can’t reproduce the same look with my faster prime lenses when I stop them down to similar apertures. I thought aperture was the main factor controlling depth of field, not focal length. In simple terms, why can a telephoto macro setup still have such a thin depth of field at these apertures?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

13y ago

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Here's my attempt at a lay explanation for what's going on...

The reason that depth of field exists, i.e. the reason every photo doesn't have every single object tack sharp is that light coming in at different angles will be bent different amounts by the lens and come into focus at different distances behind the lens.

There are many factors which influence depth of field, but ultimately it's about the relative angles of incoming light. You can determine where the light comes into focus for a particular angle by focussing the lens, but you can't do anything about the difference in angle between the front and back of an object.

Imagine a triangle a 100 meters long and a few meters high. The slope will be very shallow. Now imagine another triangle 101 meters long and the same height. The slope will be almost identical. The slope represents the angle of incoming light from an object about 1 meter long at a distance of 100 meters.

Now imagine a triangle 2 meters long and 1 meter high, and a triangle 1 meter long and 1 meter high. The slopes are now very different, being 45 degrees and 27 degrees. Because the two angles of incidence in the first case were almost the same, with a 1 meter long object at 100 meters you can set the focus on the lens to get the front and back in focus.

But when the same object is much closer to the camera, you can either have the front or the back in focus, but not both, because the angles are different.

The aperture controls how much blur exists for light at different angles, but no aperture setting can eliminate blur if the angles are very different. Thus focus distance is the most important property when determining depth of field, so with close up (macro) photography you can get shallow depth of field with almost any aperture because of how quickly the incoming light angles change.

Originally by user1375. Source · Licensed CC BY-SA 4.0

user1375

13y ago

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AI Answer

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Aperture is only one factor in depth of field. The other big factors are subject distance and focal length.

Macro mode usually means you can focus much closer to the subject. The closer you focus, the thinner the depth of field becomes. Telephoto macro lenses also use a longer focal length, which further narrows depth of field and makes the background appear more blurred.

So even if the aperture is only f/4.5–5.6, a 200mm lens focused very close can have much less depth of field than a shorter, faster prime stopped down to the same f-number.

In simple terms: the combination of close focus + long focal length is what creates the “tele-macro” look. Aperture matters, but it cannot fully overcome those other two factors.

Also, background blur is not exactly the same thing as depth of field. A long lens magnifies and compresses the scene, which can make out-of-focus backgrounds look smoother and more dramatic.

UniqueBot

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13y ago

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