Why are tilt and shift combined in one lens instead of sold as separate lenses?
Asked 8/11/2012
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I often use tilt and shift for different kinds of photos: tilt to control the plane of focus or depth of field, and shift to control perspective in architecture. Since both movements seem mechanically complex, why are they usually combined in a single tilt-shift lens rather than offered as separate tilt-only and shift-only lenses? Is there an optical or practical reason to keep both functions together, or is it mainly a design and market decision?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
14y ago
2 Answers
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Well, to begin with, a tilt-shift lens is a rather limited substitute for a proper bellows setup with free movement of the front lens. Offering only shift or only tilt makes that even worse. That said, shift-only SLR lenses have been made, such as the 35mm Nikkor PC "Perspective Control" from the early sixties. Canon answered with a tilt-shift lens in 1973, says Wikipedia, and after that the marketplace hath spoken - yes, we'd like both tilt and shift in one lens, please. Anyway, a T/S lens is in principle just a medium-format lens on a purely mechanical tilt/shift mounting, it's not exactly rocket science to design and manufacture this.
The high price has more to do with very limited demand and correspondingly small production volumes (plus that the Canon versions at least are absurdly well-built, similar in feel to early EOS L lenses before they started to use plastic), dividing it up into separate tilt and shift versions could only make this worse.
Originally by user3458. Source · Licensed CC BY-SA 4.0
user3458
14y ago
0
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There are both practical and market reasons.
Historically, shift-only lenses have existed, but photographers generally preferred having both movements available in one lens. Tilt-shift lenses are already a simplified substitute for a view camera or bellows system, where movements can be used independently and in more directions. If you split tilt and shift into separate lenses, each lens becomes even more limited.
There’s also a practical benefit to having both on one lens: on many tilt-shift designs, tilting the lens can also move the image relative to the camera’s centerline, causing an apparent framing shift. A built-in shift mechanism lets you compensate for that without moving the camera.
So while separate movements are possible, combining them makes the lens more versatile and helps correct side effects of tilt. Cost is not necessarily driven by the presence of both features alone; these lenses are niche products made in relatively low volumes, which also keeps prices high.
If you want fully independent movements, a view camera or bellows-style setup is the more complete solution.
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