Why are my Photoshop CMYK skin percentages much higher than examples I see online?
Asked 9/5/2018
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I'm learning to evaluate newborn skin tones in Photoshop using CMYK readouts. In tutorials and books, the sample skin values often show relatively low cyan, magenta, and yellow percentages, but in my images the CMY values are much higher across the board—for example, magenta and yellow around 70% instead of 40% in the examples. Does that mean my images are too saturated, underexposed, or otherwise off? What should I adjust to bring those percentages down, or are the numbers not directly comparable?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
7y ago
2 Answers
1
I. Ouch...
Here is the original article linked in the small WordPress link you provided. Here is another source. I remember these techniques were from an article called "K is the key" but I can not find it anymore.
I must say: All CMYK tutorials fail to explain some fundamental concepts about RGB to CMYK conversion. They never mention that the values change dramatically using different profiles.
A CMYK value changes depending on what type of paper you want to use, the maximum absorption, therefore the color profile used.
It can also change depending on if you are using a chromatic transformation or achromatic one. This means if you want to replace neutral gray combinations of CMK with K.
It also depends on if you want to use some other type of transformation between color models, like "Perceptual" or some "colorimetry" one.
Let me explain some practical problems here.
A neutral gray, for example, it's not an equal combination of CMY inks. You could think c50m50y50 is a neutral gray... wrong.
Cyan needs to have more ink to neutralize the reddish provided by M+Y so a neutral gray needs more cyan ink. Let's say c53m48y47.
That is only one example of the problems using CMYK models to adjust colors.
You can also notice that the article says it is for prepress usage. And the article is pretty old. 2003. These techniques were used before modern color management systems.
II. A modern approach.
Use a color managed workflow, normally it consists in a calibrated monitor using specialized hardware like ColorMunky.
But you can do some basic color calibration using your graphics card.
III. Your question
A high CM+Y value could mean that your sample is too dark.
This could be because you are measuring a dark zone, you have a low key photo, or you are taking an image of a dark-skinned person. We need to see the image or a portion of it.
IV. By the numbers
If you want to try Skin color adjustments, a good approach is to first white balance your images. It is good to do this on the photoshoot.
And then probably use some RGB or LAB numbers instead of CMY ones.
Here is another post using numbers... I really need to update my answer there but can give you some tips.
How can I correctly adjust skin color in Photoshop when I have a color vision deficiency?
I was preparing one paper on that... I'll try to work on it and update that and this answer.
Originally by user37321. Source · Licensed CC BY-SA 4.0
user37321
7y ago
0
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Those CMYK percentages are not absolute targets. CMYK values can change dramatically depending on the RGB-to-CMYK conversion settings and output profile used in Photoshop. Different print profiles, paper types, ink limits, and conversion methods can all produce very different CMYK percentages from the same image.
So if your values are higher than values shown in a tutorial, that does not automatically mean the photo is too saturated or underexposed. It may simply mean you are using a different CMYK profile or conversion method than the example.
The main takeaway: don’t compare your CMYK numbers directly to random sample values unless you know the exact same color profile and conversion settings were used. If you want meaningful comparisons, first make sure your working space, CMYK profile, and conversion intent match the source you’re studying.
In short, higher CMY percentages alone are not a reliable sign that something is wrong with your skin tones.
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