Why are fast 50mm primes cheap, while zooms covering 50mm are usually much slower?
Asked 6/26/2016
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A 50mm f/1.8 prime is inexpensive and common, but zooms that include 50mm are usually much slower unless they are large and expensive. Why can’t a typical 18-55mm kit zoom be something like f/3.5-1.8, getting faster as it zooms toward 50mm? Is there a technical reason zooms rarely have a maximum aperture that increases at longer focal lengths, and do any “reversed” variable-aperture zooms exist?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
10y ago
2 Answers
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Update 2023: some of the elements of my answer below assume a DSLR, and in some cases mirrorless system make some of these issues less of a challenge. The points about zoom lenses requiring a more complex design are all still valid
A prime lens has a much simpler design, so for the same price, and weight, you can get larger lens elements and therefore a higher aperture.
However, there are some other factors to what you're asking. In the case of a 18-55 zoom lens, the lens has to have a retrofocal design, because at the wide end you are going down to much smaller effective focal length (18mm) than the physical distance between the lens and the sensor would otherwise allow. A retrofocal design means that many more lens elements are needed; it essentially is like combining a simple lens with a telephoto lens in reverse. A more complex lens has more elements, and to fit these into the available space they need to be certain sizes relative to each other, severely limiting the maximum aperture.
Now, a zoom lens uses the same lens elements throughout the zoom range: it does not "swap in" different elements depending on where you are in the zoom range. So a zoom lens that goes down to a wide angle (such as 18mm) must use the same number of lens elements even at the telephoto end, and throughout the zoom range.
Therefore, the limitation of maximum aperture imposed by the complex retrofocal design to permit wide-angle photography persists throughout the zoom range.
Additionally, remember that aperture is quoted relative to the focal length f, so getting a higher aperture number is harder as the focal length increases, which is why on a zoom lens you never see the aperture number improve as you zoom towards the telephoto, it always degrades (or is constant). That is, a zoom lens may be f/3.5-f/5.5 from wide to tele, but the numbers would never go in the opposite direction.
Originally by user3422. Source · Licensed CC BY-SA 4.0
user3422
10y ago
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A fast 50mm prime is cheap mainly because it is optically simple. A zoom must work well at many focal lengths, so it needs many more elements, more correction for aberrations, and more complex mechanics. That raises size, weight, and cost.
There is also a basic geometry limit: f-number = focal length / entrance pupil diameter. At 50mm and f/1.8, the lens needs an entrance pupil about 28mm wide. In a zoom, especially one that also goes as wide as 18mm, the front groups must support both the wide-angle design and the telephoto end. Wide-angle zooms often use a retrofocus design, which adds further complexity and makes a very large effective aperture harder to achieve cheaply.
So a kit zoom could only be f/1.8 at 50mm if it had a much larger effective pupil and correspondingly larger glass than a typical 18-55mm. That would no longer be a small, inexpensive kit lens.
As for a maximum aperture that increases when zooming longer: it’s theoretically possible, but uncommon because zoom designs usually don’t gain entrance-pupil magnification that way. In practice, zooms are typically constant-aperture or get slower toward the long end.
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