Which matters more on a 70-200mm lens: a faster f/2.8 aperture or image stabilization?
Asked 3/30/2013
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I'm comparing two 70-200mm options that are priced very similarly: a 70-200mm f/2.8 without image stabilization and a 70-200mm f/4 with image stabilization. For real-world photography, which is more important: the wider f/2.8 aperture or IS? In what situations would one be the better choice over the other?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
13y ago
2 Answers
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It depends on what you are shooting.
The image stabilization on the EF 70-200mm f/4L IS is good for 3-4 stops. On a crop body without IS, at 200mm you wouldn't want to shoot handheld below about 1/320 sec. With IS, you could drop down to about 1/40 or even 1/20 sec. But that requires that your subject isn't moving.
If your subject is moving very fast, the shutter speed needed to freeze the motion is going to make IS superfluous. Shooting sports like football or soccer from the sideline requires a shutter speed of around 1/500 sec. or faster. In stadium lighting at night or in a poorly lit gym (is there any other kind?), the extra stop of the EF 70-200mm f/2.8L will allow you to shoot at one stop lower ISO than the f/4 version.
If you are shooting from a stable tripod, the extra stop of the f/2.8 version would probably be more valuable to you, if the lens is sharp enough for your needs at f/2.8. You will also be able to get more bokeh with the f/2.8 than the f/4 lens.
There are a few other things to consider:
- EF 70-200mm f/2.8L was introduced in March 1995. This design is almost 20 years old!
- EF 70-200mm f/4L IS was introduced in November 2006. It is a much newer design.
Some people think the four versions of the EF 70-200mm "L" are all pretty much the same lens with various apertures and with or without IS "added". They are not. Each lens is an entirely independent design and reflects the state of materials and lens design technology available at the time they were released. The newer F/4L IS is sharper at f/4 than the older f/2.8L. Even the f/2.8L IS design, over a decade old having been introduced in 2001, is not as sharp as the f/4L IS.
Of course the king of the hill of Canon 70-200mm "L" glass is the EF 70-200mm f/2.8L IS II. Introduced in 2010, it is at an entirely different level in terms of sharpness over the entire focal length and aperture range. It is also considerably more expensive. Back in 2010 I needed a good, constant aperture telephoto zoom lens. I considered all of the options you are now considering, plus third party lenses available at that time as well. I came to the realization that if I bought anything less than the f/2.8L IS II I would always wonder if I should have bought it instead. I decided to wait a little longer and save enough to get the f/2.8L IS II. That is one of the best decisions I've ever made in terms of photo gear. It is the best zoom lens I have ever used. I had to save for quite a while to be able to buy it. Many meals that could have been eaten in restaurants were cooked at home. Many other things I wanted were put on the back burner. The cost of this lens was totally forgotten when I looked at the first images I shot with it. It is worth every penny I paid for it. I consider it some of the best money I have ever spent on anything.
Originally by user15871. Source · Licensed CC BY-SA 4.0
user15871
13y ago
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It depends on what you shoot.
A wider aperture helps by letting in more light, which allows a faster shutter speed. That reduces blur from both camera shake and subject movement. So if you're shooting sports, action, or anything moving, f/2.8 is usually more valuable than IS.
Image stabilization helps mainly with camera shake when handholding at slower shutter speeds. At 200mm, you might normally want around 1/320 sec handheld on a crop body, but IS can let you shoot much slower, around 1/40 or even 1/20 sec, if the subject is not moving. That makes IS especially useful for static subjects in low light.
If you're on a tripod, IS matters less, and the extra stop from f/2.8 may be more useful.
So the simple rule is:
- moving subjects: prioritize f/2.8
- still subjects handheld in low light: prioritize IS
- tripod use: f/2.8 often has more benefit
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