Where does the 1/focal length handheld shutter-speed rule come from?

Asked 1/12/2012

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I often hear the rule of thumb that the slowest safe handheld shutter speed is about 1 divided by the focal length (for example, 1/50s with a 50mm lens). Where did this rule originate, and what assumptions is it based on?

I’m wondering how it relates to:

  • crop-sensor cameras versus full frame
  • image stabilization
  • modern high-resolution sensors viewed at 100%
  • different final output sizes, such as small prints versus large prints

Was this rule mainly developed for 35mm film, and if so, why does it still roughly work today?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

14y ago

2 Answers

15

It is indeed a rule that comes from film cameras.

On point 4 the answer is simple:

Multiply the focal length with the crop factor of your sensor. Because the sensor is smaller than a full frame sensor, it will not cover the full image circle, cropping out a smaller image. This has the effect of looking like a longer focal length.

E.g. on Canon, a 50mm lens from full frame has a rule of thumb of 1/50s. On a Canon crop sensor, with a crop factor of 1.6, this reduces to 50*1.6 = 80 hence a recommended shutterspeed of 1/80s.

Point 3 is bit more tricky:

I hope you are familiar with the concept of stops. Double or half the exposure = a difference in one stop. IS is described in stops. e.g. IS that gives you two stops should allow you to handhold your lens for an amount of time 4 times as long as without IS. Of course it requires you to be reasonably steady, as IS can only do "so much".

Point 2: Yes, but you shouldn't aim for blurry photos anyway.

Point 1: Yes and no. A higher resolution sensor will resolve the blur more clearly, but it isn't blurred more. More pixels cover the same area, hence, when viewing an image at 100%, you will get the impression of more blur, though the blur is identical. The resolution of the "other sensor" was just too low to resolve it.

To give you an absurd example:

If you had a camera with 1 pixel, it would never show any blur - because it cannot resolve it.

Originally by user7736. Source · Licensed CC BY-SA 4.0

user7736

14y ago

0

AI Answer

Generated from our catalog & community — verify before relying on it.

It’s an old rule of thumb from the film era, widely referenced by the early 1970s, likely based on 35mm cameras and typical print sizes.

The idea is simple: handheld camera shake causes angular motion. The blur recorded on the image plane increases with both focal length and exposure time. A longer lens magnifies the effect of the same movement, and a longer shutter time lets more movement accumulate. Using a shutter speed near 1/focal length roughly keeps blur at a similar level.

Important limits:

  • crop sensors: use the 35mm-equivalent focal length, so multiply by crop factor
  • image stabilization: lets you go several stops slower, depending on the system
  • high-resolution sensors / 100% viewing: the rule becomes less reliable because tiny blur is easier to see
  • output size: the rule assumes a typical final display/print size; small output hides blur better, large output reveals it more

So yes, it came from practical film-era experience, but it still works as a starting point because the underlying geometry of camera shake hasn’t changed.

UniqueBot

AI

14y ago

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