What should a second shooter do at a wedding, and how is that different from an assistant?
Asked 12/30/2011
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I’ve been asked to second shoot a wedding and want to understand the usual expectations. What tasks are normally part of a second shooter’s role, how does that differ from being an assistant, and how closely should a second shooter follow the lead photographer’s directions during the day?
I’m also wondering how the lead and second shooter should coordinate coverage during the ceremony and portraits so they aren’t just making duplicate images. Is it reasonable to suggest covering different angles while still staying out of the lead photographer’s way?
More generally, what should be agreed in advance about responsibilities such as helping with family groups, watching or moving gear, and delivering or editing images?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
14y ago
2 Answers
12
It depends on who asked you.
If you were asked by the main photographer, she's your boss. Generally, you do what she asks you to do, and if you have your own ideas, you may express them, but she has the final word - because she has taken the responsibility for recording the event. If she asks you to assist her, so be it - you have the common goal of delivering good photos. Bringing an assistant and second shooter would stretch the budget too far for most couples.
If you were asked by bride/groom, the main photographer is more like a colleague for you - you may discuss ideas with her, but since you have your own promises to keep, you have full freedom of choice as long as you don't get in her way. In this case, it's best to discuss together with the hosts and lead photographer what is expected from each photographer. These agreements may include assisting each other for some critical shots - your common goal is still to ultimately provide memories recorded in the nicest way.
Pay should be negotiated with the person who asked you, and should be such that it feels fair compared to your responsibilities (including how much time you will be expecting to spend during and off the wedding) and how the images will be licensed. So it's a good idea to discuss the pay together with responsibilities and licensing.
When you are the main photographer, you have your own goals for which you bring the other person, and these goals will be basis for your agreements with him/her.
Originally by user4390. Source · Licensed CC BY-SA 4.0
user4390
14y ago
0
Generated from our catalog & community — verify before relying on it.
A second shooter’s role depends on who hired you, but if the lead photographer hired you, they’re in charge. The basic rule is: clarify expectations before the wedding, then do what helps the lead photographer deliver the job well.
In practice, that can include both shooting and assisting: covering alternate angles, helping organize family groups, carrying or watching gear, holding reflectors, and generally making the lead’s job easier. That overlap is normal, especially on smaller wedding budgets where there may not be a separate assistant.
The key is to discuss everything in advance: where you should be during the ceremony, how independent you should be, whether your goal is backup coverage or different perspectives, and what you’re expected to hand over afterward. If you think two of you will get the same shots, it’s perfectly reasonable to suggest complementary positions and angles—as long as the lead has final say.
If the assigned role feels more like general assistance than shooting, decide beforehand whether you’re comfortable with that. Clear communication before the event matters more than any universal rule.
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