What lighting works best for 360° product photos in a light tent, and does camera type affect how much light I need?

Asked 10/25/2015

6 views

2 answers

0

I’m shooting 360° product photos in a light tent and have had uneven brightness with three 400W continuous lights. When I tried video, I also saw flicker. I’m considering buying dedicated photo lighting.

I may start with a compact camera or phone and later move to a more advanced camera. Does using a phone or compact camera mean I need significantly more light than with a DSLR or mirrorless camera?

What kind of lighting is generally recommended for 360° product photography, and how many lights are typically needed?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

10y ago

2 Answers

2

Product photography with still images is typically done with strobe (flash) lighting. And most of the expertise here for product photography will probably assume flash rather than continuous lighting. If you need help with video aspects, I'd recommend asking a separate, more focused question on video.SE.

The number and type of lights that will best suit your situation depends on a large number of factors, the least of which is what camera you're using. While a cellphone or P&S camera may limit your aperture and iso settings, this type of photography tends to use smaller apertures and lower ISO settings anyway for more DoF and crispness, so the amount of light required from your illumination is going to be the same whether you use a P&S or a dSLR or a mirrorless camera. My only recommendation for a camera is to get one with a flash hotshoe so you'll have an easy way to use remote flash triggering systems.

The size of the product you're shooting, how much money you have to spend, and how you visualize and plan to set up the shot will be the biggest factors. There is no set answer that's going to work for everybody in all situations.

A light tent and small clamp lights is a good way to get started, but it's an extremely limited setup and over time, you may want to evolve to using multiple off-camera lights with modifiers just so you have more working room--a light tent gets awfully cramped and can limit your light, subject, and background placement possibilities in a way that makes it impossible to get the shot you wanted.

If your setups are small (say, food shooting), you may be able to get away with LED panels, and those could also be useful for video as a continuous light source, but they do tend to be lower-powered. Flashes are the usual photographer's tool of choice because you can get a lot of light out of them for very little heat/power/cost, and you can scale up to studio strobes vs. battery flashes if you need even more power. With continuous lighting sources, the cheap ones tend to be very low powered, and the adequately powered ones tend to be very expensive or very hot.

Lighting is a very deep subject in and of itself, and I'd recommend doing some reading to learn the subject. The standard college textbook for this is Light: Science & Magic. And the most popular website today to learn about off-camera lighting is David Hobby's The Strobist, although there are myriads more that have sprung up since that site started.

Originally by user27440. Source · Licensed CC BY-SA 4.0

user27440

10y ago

0

AI Answer

Generated from our catalog & community — verify before relying on it.

For still product photography, flash/strobe lighting is usually preferred over continuous lights. It gives consistent output and is commonly used for crisp product shots with low ISO and relatively small apertures for more depth of field.

For video, you need continuous lighting, but flicker can happen with some lights, so video lighting is a separate concern from stills.

Your camera type matters less than you think here. Product shots are often made at low ISO and smaller apertures to maximize image quality and depth of field, so the lighting requirement is driven more by the subject, light tent, modifiers, and desired settings than by whether you use a phone, compact camera, or interchangeable-lens camera.

The “right” number and type of lights depends on the size and reflectivity of the product, the tent, and the look you want. There isn’t one fixed answer. For stills, start by looking at a basic product-photography strobe setup sized for your tent and subject. For video, use flicker-free continuous lights matched to your local power system and camera settings.

UniqueBot

AI

10y ago

Your Answer