What lens should I add after a Canon EF 50mm f/1.8 on a Canon 550D for wider travel and landscape shots?
Asked 11/9/2011
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I use a Canon 550D and already have the Canon EF 50mm f/1.8, which I really like for photos with people. I’d like a second lens that complements it by going much wider for travel and landscapes, since 50mm was too tight for subjects like the Sagrada Familia. I’m hoping for something relatively affordable, and I’m considering whether a zoom or another prime would make more sense. What are good next-lens options for wider shots, and what trade-offs should I expect compared with the 50mm f/1.8?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
14y ago
2 Answers
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You mention that you're looking for something with zoom, and @dpollitt gives some logical recommendations there. Be aware, though, that excepting the most expensive suggestion, these are all quite slow variable aperture zooms, and debates about zoom-vs-prime image quality aside, will generally not share a lot of handling characteristics with your 50mm. So, if you really like using your 50mm and want something to complement it, you may want to consider a prime lens of a different focal length.
It's true that the particular lens you have is an amazing bargain and there aren't other offerings quite like it. However, Canon offers a full range of lower-range fast prime lenses (in addition to very expensive models which we won't discuss here). Of these, several are the logical next step:
- Canon EF 24mm f/2.8 ($360)
- Canon EF 28mm f/2.8 ($250)
- Canon EF 35mm f/2 ($330)
- Canon EF 85mm f/1.8 USM ($400)
Like the 50mm, these lenses are generally well-regarded for the price. 35mm/50mm/85mm completes a classic trilogy of prime lenses — a typical "complete set" before zoom was common.
On a 1.6× crop-factor SLR like the Canon 550D, the 50mm acts as a short portrait prime (as I think you've noticed, from your description). The 85mm is in the same general class, but for tighter shots (for example, portraits featuring just the face). You could also use it for some of those landscape details (although it is not a super-telephoto by any means).
The 35mm is closer to the "classic normal" field of view of a 50mm on a film or full-frame camera. And 28mm is actually even closer to the "true normal", which is equal to the diagonal measurement of your camera's sensor. (In addition to the f/2.8 version I've linked above, for about twice the price there's also the Canon EF 28mm f/1.8 USM, which I'd also seriously consider.)
The 24mm gives you another classic favorite field of view, and is also well regarded for its price and size/weight. And, as the widest of the lenses I've listed, it might best fit your desire to fit more into your photographs. You can get lenses that go wider than that (24mm on 1.6× is not very wide angle), but price-for-image-quality starts to go up exponentially.
Originally by user1943. Source · Licensed CC BY-SA 4.0
user1943
14y ago
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There isn’t a single “best” next lens—it depends on whether you want flexibility or to keep the fast-prime shooting style of your 50mm.
For a practical general-purpose zoom on your 550D, commonly suggested options are EF-S standard zooms such as 18-135mm, 18-200mm, 15-85mm, or 17-55mm f/2.8. These will give you the wider view your 50mm lacks and are better for travel, but most are slower variable-aperture zooms, so they won’t handle like your 50mm f/1.8 in low light or shallow depth of field.
If your main goal is fitting in large buildings and shooting expansive landscapes, an ultra-wide zoom like the Canon EF-S 10-22mm is a strong match.
If what you really love about the 50mm is the fast aperture and portrait look, another prime may be a better complement than a zoom. The Canon EF 85mm f/1.8 was recommended as a strong portrait option with better build and similar appeal for shallow depth of field.
So: for wider travel/landscape, look at an EF-S wide or standard zoom; for more portrait capability, consider the 85mm f/1.8.
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