What is moiré, what causes it, and how can you reduce it?
Asked 5/10/2011
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I often hear moiré described as an image defect or aliasing artifact. What exactly is moiré in photography, what causes it in digital images, and how can it be avoided or reduced? Is it the same as, or related to, false color?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
15y ago
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Moiré is a form of aliasing whereby false patterns can be observed in an image.
Imagine a lighthouse which sends a pulse of light every 5 seconds, and a camera (or other observer) which sees the lighthouse for three seconds and is then blocked from seeing it for three seconds:
lighthouse: *....*....*....*....*....*....*....*...
observer: ***...***...***...***...***...***...***
observed pattern: *...................*....*....*........
What is actually a regular pulsing is observed as a highly uneven pattern due to temporal aliasing, caused by the sampling frequency being close to but different from the frequency of the phenomenon being observed. This is why wagon wheels can appear to spin backwards when observed with a movie camera with fixed framerate.
Moiré is exactly the same phenomenon but is an example of spatial rather than temporal aliasing. When a regular pattern of light and dark like a manmade fibre cloth is imaged by a sensor with a fixed pattern of pixels the evenness of the fibres gives way to an artificial pattern at a much lower frequency (more widely spaced):

Image by Fir0002/Flagstaffotos. License
Aliasing is at its worst when the frequency of the pattern is close to the sampling frequency (the density of pixels in the sensor). Low frequency patterns aren't a problem. An anti-aliasing filter blurs the image therefore reducing the frequency of the input and chance of aliasing. The downside is that this also blurs non-repeating patterns which would not cause noticeable aliasing.
Instead of reducing the image frequency by blurring, aliasing can also be mitigating by increasing the sampling frequency, i.e. having more megapixels (without increasing sensor size or lens sharpness). Digital medium format cameras have lots of megapixels but still suffer from aliasing due to sharper lenses.
Anti-aliasing filters are fitted to almost all 35mm DSLR sensors as standard. They can be removed; I know of one company that does this:
http://www.maxmax.com/hot_rod_visible.htm
The advantage is greater sharpness but more moiré. If you only shoot random natural textures then this is probably a good idea. Some digital MF cameras and backs lack an AA filter. Opinion is divided on why, given how bad aliasing can be on fabrics and the fact the MF is frequently used for fashion. My view is that these images are probably shot at f/32–f/45 with giant lighting power packs, and the diffraction acts as an AA filter.
Moiré can be reduced in software, but only to an extent, it's usually much better to use an AA filter. You can get screw-on anti-alias filters for lenses if your sensor lacks an AA filter.
Moiré is related to false colour due to the demosiacing process. As (most) digital sensors are monochrome devices, alternating colour filters are placed over each pixel and the colours interpolated to produce a full colour image. When observing a high frequency monochrome pattern, adjacent pixels with different colour filters may see peaks and troughs in the signal respectively, and this can be (falsely) interpreted as different colours being present in the input.
Originally by user1375. Source · Licensed CC BY-SA 4.0
user1375
15y ago
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Moiré is an aliasing artifact: a false pattern that appears when very fine, repetitive detail in a subject interacts with a sampling grid. In photography, that grid is usually the camera sensor’s pixel array; it can also happen when an image is resized for display and fine detail conflicts with the screen’s pixel grid.
Typical examples are fabrics, meshes, or other repeating lines and textures. Instead of recording the real pattern cleanly, the camera can produce new-looking waves, ripples, or curved patterns that were not in the scene.
False color is related. The same aliasing can cause colored artifacts as well as false luminance/detail patterns, so color moiré is essentially a chromatic form of the same problem.
To reduce moiré:
- avoid subjects with detail near the sensor’s resolution limit
- change camera distance, angle, or focal length so the pattern no longer aligns badly with the pixel grid
- slightly defocus if acceptable
- resize carefully, since downsampling can also create moiré
- use software moiré-reduction tools in post when needed
In short: moiré is caused by interference between fine repeating subject detail and a sampling grid, producing false detail and sometimes false color.
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