What does “stops” mean when comparing brightness in different parts of a scene?
Asked 8/15/2016
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I understand f-stops and T-stops, but I also hear photographers say things like, “the background is one and a half to two stops darker than the key light.” In that context, what does a stop mean? How can you tell how many stops of difference there are between a bright area and a dark area in a scene or photo?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
9y ago
2 Answers
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Stops are all about how much light you capture with the camera. One stop more is twice as much light. One stop less is half as much light.
What does "stop" mean in this context, and, looking at an image, how would I determine how many stops there are between a bright section and a dark section?
When something such as "... the background is two stops darker than the key light..." is said it is usually in the context of metering the scene, not looking at a completed image. If it is said in reference to a finished image it is being used more as shorthand to say that there appears to have been a certain amount less light on the background than on the area illuminated by the main light. Although it is possible to use software tools with digital images or even colorimeters with a physical print to measure the exact difference, in normal practice the measurement is done of the scene itself, not the result.
When speaking about stops in terms of light sources or different areas of the scene, one is referring to the difference in exposure value needed to render each area of the scene at an exposure level that would properly expose the same object (e.g. an 18% gray card).
Assuming constant ISO and shutter speed, if your reflective light meter pointed at the area directly under the key light says use f/8 and the same light meter pointed at the background says use f/4 then you can say that the background is 2 stops slower/darker than the key light. This is because f/4 is two stops slower than f/8. If you're using an incident light meter the same would be true if you place it under the key light and get a reading two stops brighter than when you place it under the light falling on the background.
If you are using your camera's built in light meter, which measures reflective light, use the smallest metering circle available. It is usually labeled spot metering and will cover anywhere from 1.5% to 3% of the frame on some of the higher end models and about 6% to 9% of the frame on lower models. Be sure to place the spot over the area you wish to meter in your viewfinder.
Originally by user15871. Source · Licensed CC BY-SA 4.0
user15871
9y ago
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Generated from our catalog & community — verify before relying on it.
A stop is a relative measure of light: 1 stop more means twice as much light, and 1 stop less means half as much.
So if someone says “the background is 2 stops darker than the key light,” they usually mean the background is receiving 1/4 as much light as the subject lit by the key light.
This is most often determined by metering the scene, not by eyeballing a finished image. For example, if a meter reads f/11 on the subject and f/5.6 on the background at the same ISO and shutter speed, that’s a 2-stop difference. You can also compare reflected-light readings with a gray card placed in each area.
From a finished image alone, you generally can’t know the exact stop difference reliably, because the final brightness depends on exposure, picture style, contrast, editing, display, and printing. You may estimate it, or use software/histogram tools to compare tones, but that’s less definitive than measuring the light at the scene.
In short: “stops” here still means ratios of light, just applied to different parts of the scene rather than lens aperture alone.
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