What determines a camera sensor’s dynamic range?
Asked 2/13/2016
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I understand dynamic range in general, but what physical and electronic factors make one image sensor have more dynamic range than another?
Using the common “photosite as a bucket” analogy: does higher dynamic range come from a photosite that can hold more charge before clipping, from lower noise in the shadows, or both? In other words, is improved dynamic range mainly about deeper/larger “buckets,” a lower noise floor, or some combination of the two?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
10y ago
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Rather than considering bucket depth, perhaps surface area might be more appropriate, or perhaps consider a cone shaped bucket where surface area and depth are related.
Photons on a photo detector like rain in a bucket have random variation, but the bigger the area you sample, the better the average you'll get, so you'll have less random noise, and be able to accurately distinguish better between subtle variations as they're more likely to be actual colour variations than random noise. At the dark end of the scale, the problem is relatively few photons, so fewer stray ones are needed to mess up the average and induce noise. At the light end, too many photons flood the photo detector and it reaches its limit and you end up with blown highlights. A larger photo detector can absorb more photons than a small one before it reaches the maximum electrical charge it can attain.
The bucket scale also matters. Even if you have a very deep bucket, but it has a very coarse scale you'll only be able to represent a small amount of data.
Some cheaper sensors sometimes only capture 8 bits per channel of RGB even if they allow RAW, while 12 or 14 bits per channel are common on DSLRs. Every extra bit doubles the graduations on the scale that can be represented.
Imagine two buckets the same depth, but one with an inch scale and the other with a mm scale. In post processing, when you stretch out the detail, the bucket with the mm scale is going to have much more information - say the first inch is black, that's one colour, but there will be about 25mm ie 25 different shades in that same space for the one with the finer scale.
Generally speaking, larger photo detectors, and greater bit depth will give you greater dynamic range. Larger photo detectors for any given sensor size will give you lower pixel resolution so there is a trade off. This is one of the reasons full frame and medium format sensors are popular with professionals, as they have both large photo detector sites on their sensors and lots of them giving both excellent dynamic range and high resolution.
Originally by user50120. Source · Licensed CC BY-SA 4.0
user50120
10y ago
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Dynamic range is basically the span between the brightest signal a photosite can record before it saturates and the darkest signal that still rises above noise.
So yes: it is a combination of both ends.
- Highlight limit: a photosite can only hold so much charge before it clips to white. In the bucket analogy, that is the bucket’s capacity.
- Shadow limit: the lower end is set by noise. If noise is high, very weak signals get buried and become indistinguishable from black.
Larger photosites generally help because they can collect more photons, which improves the signal relative to random variation (photon noise) and can also increase the maximum charge they can hold. That can improve both highlight headroom and shadow quality.
At the dark end, few photons are being captured, so random variation matters more. At the bright end, too many photons fill the site and highlights blow out.
In practice, better dynamic range comes from some mix of:
- greater full-well capacity (more charge before clipping)
- lower read/sensor noise (cleaner shadows)
- sufficient recording precision so the sensor’s range can be encoded usefully
So dynamic range is not only “in the shadows” and not only “deeper buckets” — it is the ratio between the saturation point and the noise floor.
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