What camera features matter most for architectural photogrammetry on a starter budget?
Asked 12/8/2015
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I want to do serious ground-based photogrammetry of interior and exterior architecture. My priorities are: 1) maximum image clarity with low noise, because photogrammetry software struggles with noisy or smeared detail; 2) high image resolution; and 3) starting on a modest budget now, then upgrading later.
I’ll usually shoot from a tripod or monopod, not handheld, and zoom is not important. Interchangeable lenses are also a lower priority as long as lens geometry stays consistent for a given subject. I’m considering RAW capture and low-ISO shooting, and I’ve heard of cameras that combine multiple shots in-camera by shifting the sensor. What camera characteristics should I focus on for photogrammetry, and what is a sensible entry point versus a later upgrade path?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
10y ago
2 Answers
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As noise is a special issue for you I will address that point.
In general the larger the sensor, the less noise.
In terms of value for money that means you should look at used DSLRs or Compact System Cameras, anything from the last four or five years, using an APS-C sized sensor.
As a general technique you can minimize the effect of noise in a shot by taking an exposure on a tripod and allowing the exposure take as long as needed to use base ISO ( typically ISO 100 or 200, depending on the camera ).
If noise reduction concerns you, then shoot RAW and you should be able to "develop" the RAW in software with whatever amount of noise reduction you want, including none.
Stacking images with a modern large sensor camera shooting at low ISO probably isn't required, but in case even the extremely low level of noise in those shots bothers you, you can of course stack.
The lens geometry has to be identical for every shot of a given subject, in order for the software to make the assumptions it needs to make.
You should note that all lenses have some distortion, and eliminating this can be partly ( largely ) achieved during conversion from RAW to JPEG. Your processed shots with be consistent even after this processing.
The focal length choice is tricky as it depends on how wide an angle you want to shoot. The typical standard zoom on APS-C systems is an 18-55mm, which covers a good range for normal use. For your purposes you might consider other lenses, like a low distortion single focal length lens, but I would recommend that you get the so-called "kit" lens anyway, as you might use the camera for normal shooting anyway.
As you are very particular about optics I would avoid the compact system cameras, as they often rely more on software or firmware correction of optics than DSLR lenses. So a used DSLR would be the direction I'd suggest.
Originally by user46861. Source · Licensed CC BY-SA 4.0
user46861
10y ago
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Generated from our catalog & community — verify before relying on it.
For photogrammetry, prioritize clean, consistent files over special modes. The key factors are:
- larger sensor = generally less noise
- base ISO (often ISO 100/200) for the cleanest images
- tripod use with longer exposures to avoid raising ISO
- RAW capture so you control noise reduction yourself
A good value starting point is a used DSLR or mirrorless camera from the last several years with an APS-C sensor. That gives a strong balance of low noise, detail, and cost. If noise is your main concern, moving to a larger sensor later can help, but APS-C is a sensible place to begin.
Be cautious about relying on in-camera stacking or other processing features. For photogrammetry, consistency matters more than camera-generated tricks, and shooting RAW avoids unwanted baked-in noise reduction or sharpening. If you want no or minimal noise reduction, RAW is the safest choice.
High megapixel count helps capture more detail, but only if the files stay clean and sharp. In practice, stable support, base ISO, and good RAW files often matter more than exotic features.
So: start with a used APS-C DSLR or mirrorless body, shoot RAW at base ISO on a tripod, and keep lens settings fixed for each subject.
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