Should you post-process only the photos you plan to show?
Asked 4/17/2012
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2 answers
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After a shoot I may come home with 50–200 images, but post-processing takes a lot of time. Since I usually only share a small selection, is it reasonable to edit only those strongest images instead of processing everything? Am I missing anything by not spending time on photos that are good but not my very best work?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
14y ago
2 Answers
5
You may find a gem you overlooked — something which you passed over but which on further inspection works better for you than an image you selected on the first pass. This may simply be a detail that wasn't obvious, or that a blurry image caught a far better expression than a sharp one, or it may be that some creative work brings out something in an otherwise overlooked image.
You may get some benefit from looking at the images you didn't select, and identifying for yourself why you didn't select those. You might not necessarily want to post-process these, but winnowing your work is an excellent way to learn.
Another thing to consider is to work on taking fewer pictures you're not keeping. That's a challenge, particularly in these days of ten-frames-per-second burst rates and no obvious monetary cost for each one. There is, as you've clearly discovered, a cost, though — each click means some amount of later work. Beyond that, you may find that putting more thought into each image means you bring home the same chosen few, surrounded by less baggage.
To me, a holy grail of photography is making every shot a "keeper". I'm nowhere near that, but getting closer. One thing I noticed is that when I take a number of shots, it's usually the first that's the best — that was the moment, and the rest are just second-guessing. Learning to second-guess less leaves me more time for the next moment.
As with other affectations like shooting with only prime — no zoom — lenses, this is a luxury in having photography as a hobby. I don't have to get the shot to sell to a client or put on the front page. If I miss something because I wasn't clicking enough, or didn't have the right focal length on the camera, I try to learn from that too, and be in the right place the next time — because, hey, there's always tomorrow (and if there isn't, no one will be there to look at my photographs anyway).
Originally by user1943. Source · Licensed CC BY-SA 4.0
user1943
14y ago
0
Generated from our catalog & community — verify before relying on it.
Yes — for most photographers it’s completely sensible to fully process only the images you intend to use or share.
A practical workflow is to first cull everything: reject obvious misses (out of focus, blinks, blur, duplicates), then compare similar frames and pick the strongest few. Edit those finalists. Many photographers do not process every keeper.
The main downside is not technical — it’s opportunity cost. An image you overlooked at first might turn out to be a hidden gem on a later review, or a weaker frame might benefit from creative editing. Also, reviewing and judging the photos you reject can help you learn why some images work better than others and improve your shooting and editing decisions.
So the balanced answer is:
- don’t feel obligated to process everything;
- do review all your images at least briefly;
- keep your best selects for full editing;
- revisit older unedited photos occasionally, since your taste and skills may improve.
If the backlog is growing, that may also be a sign to become more selective both when shooting and when keeping images after import.
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