Should I replace my Nikon 17-35mm f/2.8 with the 16-35mm f/4 VR?
Asked 8/3/2010
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2 answers
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I’ve been happily using the Nikon AF-S 17-35mm f/2.8 for years, but after seeing the AF-S 16-35mm f/4 VR MTF chart I’m wondering if I should switch. If you were deciding between these two lenses, what practical pros and cons would matter most? Would you keep the 17-35mm, move to the 16-35mm f/4 VR, or consider jumping to the 14-24mm instead?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
16y ago
2 Answers
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Don't let MTF charts be the reason you change lenses. If you're happy with the results of your lens, then stick with it.
With your lens change, you give up a full stop of light (f2.8 to f4), which can be huge, even with the 16-35's VR, but gain an extra 1mm on the wide angle.
Given the two choices, I would stick with the 17-35 solely for the extra stop of light. VR offers great flexibility for low light situations, but F2.8 is still F2.8, and no amount of IS/VR/ or w/e can compensate for that.
Now, that said, if I were in your shoes, and I had the means to pull it off, I would buy the 14-24 in a heartbeat. Canon shooters have been fooling around with all kinds of cockamamie solutions to get the nikkor 14-24 working on Canon bodies, so if you're a nikon shooter who likes going wide angle and has the money, then yes yes yes get the 14-24!
Originally by user170. Source · Licensed CC BY-SA 4.0
user170
16y ago
0
Generated from our catalog & community — verify before relying on it.
If your 17-35mm f/2.8 is still giving you results you like, most replies say not to switch based on MTF charts alone. Charts and reviews aren’t a good reason to replace a lens unless you have a specific problem to solve.
Main tradeoff: moving to the 16-35mm f/4 VR gives you VR and a slightly wider 16mm end, but you lose a full stop of maximum aperture. That extra stop from f/2.8 can matter a lot, especially for low light or any situation where subject movement is involved. VR helps with camera shake, but it does not replace the benefit of a faster aperture.
So the practical question is how you shoot: if you value the brighter f/2.8 aperture, the 17-35mm remains a strong choice. If you specifically want VR and a bit more width, the 16-35mm may make sense.
Several answers lean toward keeping the 17-35mm unless you’re actually unhappy with its sharpness or have already exhausted technique improvements. If budget and needs justify a bigger change and you want an even wider option, the 14-24mm is the aspirational alternative mentioned most favorably.
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