Usually, no major special editing is required just because the print will hang in a dim space. Our eyes adapt to ambient light, so heavy compensation can make the print look unnatural. If the image is meant to feel bright, a small lift to midtones or contrast may help, but this depends on the subject.

The bigger factors are print testing and paper choice. If possible, make a few test prints and view them in lighting similar to the hallway. That’s the best way to judge whether small tonal tweaks improve the image.

Paper matters a lot in this situation. In low artificial light, avoid glossy surfaces that can create distracting glare from a single bulb. A matte, natural fiber, or low-luster/semi-gloss paper is generally a safer choice. Also be cautious with papers that use optical brighteners, since they can depend on UV in the light source and may not look their best under hallway lighting.

Finally, make sure the file is in a color space the printer expects; converting to sRGB is often the safest option if you’re unsure.