There is no general passive optical filter that truly compresses scene dynamic range across the whole image.

A standard ND filter reduces all light equally, so it does not change dynamic range. A graduated ND can help only in specific scenes where the bright area is confined to part of the frame, such as a sky. A polarizer can sometimes reduce very bright reflections or glare if that light is polarized, which may slightly ease highlight clipping, but this is limited and scene-dependent.

There have been specialty contrast-modifying filters, such as Tiffen’s contrast-control type filters, intended to lower apparent scene contrast. These can help in some situations, but they are not a universal dynamic-range compressor.

In practice, wide dynamic range is usually handled by capture and processing methods rather than a single passive filter: HDR/multi-exposure blending, tone mapping, fill light, or sensor designs that combine different sensitivities. Fuji’s SuperCCD SR and EXR are examples of sensor-based approaches that effectively capture different exposure levels and blend them.

So: for a broad, reliable solution, no simple optical “compressor filter” really exists.