How does exposure compensation work on a film camera?

Asked 12/17/2017

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I use Nikon film and digital bodies, including an F6, F3/T, and D3x. On digital cameras I assumed exposure compensation might work by changing signal amplification, but on my film cameras there is no electronic amplification of the film. When I dial in exposure compensation on the F6 or F3/T, I also don’t always notice an obvious change in shutter sound or aperture movement, yet the negatives come out brighter or darker as expected. How is exposure compensation actually implemented on a film camera?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

8y ago

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I understand that, on a digital camera, "exposure compensation" actually alters signal amplification, similar but not identical to changing the sensitivity.

In general, this is not how the term is used. Instead, "exposure compensation" means: tell the camera's exposure program in automatic exposure modes to target an exposure brighter or darker than the meter reading. (More at What is exposure compensation?, and at How do DSLRs figure out what aperture to select in P mode?)

One way the program may respond to this is by altering the amplification, increasing the effective ISO. (More at How is ISO implemented in digital cameras?) It can also change the shutter speed or aperture — but that will depend on the mode.

On a film camera, changing the amplification is not an option, so to change the exposure, shutter speed or aperture must change. However, you might not perceive them changing, because the camera doesn't actually stop down until the shutter clicks, and it's hard to hear the difference between, say, ¹⁄60th vs ¹⁄₁₂₅th of a second.

Nikon actually includes the "program chart" for the F6 in the manual:

Nikon F6 program chart

… so you can see exactly what it does. For example, if the meter returns "EV 5", you'd get an aperture of f/4 and a shutter speed of ¹⁄₆₀th. And, you can see that it's really quite a simple algorithm. As noted in this answer, some cameras let you select between different programs. On some entry level cameras, a setting like "sports mode" actually means "select a program which prioritizes high shutter speeds" — even if there's no direct, named control over the program. Generally, though, if you really care a lot about a particular exposure factor, you would use Aperture or Shutter Priority.

Originally by user1943. Source · Licensed CC BY-SA 4.0

user1943

8y ago

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Exposure compensation doesn’t add a separate kind of exposure control. It tells the camera’s meter/exposure program to target a brighter or darker result than the meter’s normal reading.

On a film camera, that means the camera biases the meter and then chooses different exposure settings within the auto mode you’re using—typically shutter speed, aperture, or both. Film cameras cannot change the film’s sensitivity on the fly, so compensation is not done by “amplifying” the image.

Digital cameras work the same way conceptually: exposure compensation mainly tells the camera to alter the metered target, then it changes shutter speed, aperture, and sometimes ISO depending on mode and camera design.

If you don’t hear or see much difference on the film body, the change may be subtle, the lens may stop down only at the instant of exposure, or the selected variable may be the one you’re not noticing. In short, exposure compensation is really meter bias: it makes the camera expose more or less than the standard meter reading would suggest.

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