How does chromatic aberration affect black-and-white images?
Asked 8/17/2019
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I understand that chromatic aberration happens because different wavelengths focus at different distances. In color images this shows up as color fringing, but when converting to black and white I often don’t notice obvious artifacts. Should chromatic aberration still reduce sharpness or create ghosting in black-and-white images, even if the color fringing is no longer visible?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
6y ago
2 Answers
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A camera lens, uncorrected, displays each color coming to a focus at different distances from the lens. This was not a big problem for early films, they were sensitive only to violet and blue. These films have a chemical focus that differs from the visual focus. Easy to solve, the sheet film holders positioned the film to compensate.
Early corrective lens forced red and green to focus at the same distance. Because each color comes to a focus at different distances from the lens, each image is slightly different as to size (magnification). Thus a panchromatic film images only one color tack sharp, the other colors are slightly out of focus.
Originally by user44949. Source · Licensed CC BY-SA 4.0
user44949
6y ago
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Yes. Chromatic aberration can still affect a black-and-white image, even when the colored fringes disappear.
The key issue is that different wavelengths do not focus at exactly the same point. In a color image, that mismatch appears as colored edges. In black and white, the color difference is removed, but the underlying focus mismatch can remain as slightly softer high-contrast edges or a faint loss of crispness.
This is because each color channel may form a slightly different image size or focus distance, so only one part of the spectrum may be perfectly sharp while others are a little out of focus. When converted to monochrome, those differences are merged into tonal values rather than visible colors.
So: black-and-white conversion can hide the obvious fringing, but it does not necessarily eliminate the sharpness loss caused by chromatic aberration.
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