How do camera metering modes use 18% gray in real scenes?

Asked 6/12/2013

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I often hear that a camera meter tries to expose a scene as 18% gray, and examples with white or black boards make sense because both can be rendered as gray if metered normally. But how does this work in a typical scene?

In general terms, does the meter average brightness across part or all of the frame and then set exposure so that average becomes a midtone? How does this differ between spot, partial, center-weighted, and matrix/multi-segment metering? I'm looking for the general theory rather than brand-specific behavior.

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

13y ago

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Different types of cameras do it slightly differently, but even more significantly each camera will do it radically differently depending on which metering mode you have selected.

  • Spot metering. In the Canon realm, most DSLRs with spot metering capability use between 2-4% of the center of the frame and expose the average of that area as if it were 18% grey. The rest of the frame is ignored.
  • Partial metering. Canon's that can do partial metering usually use between 7-10% of the frame and expose the average of that as if it where 18% grey. The rest of the frame is ignored.
  • Center-Weighted Averaging. This mode gives more weight to the center of the frame, but other areas are also included in the calculation as well.

The above three modes operate pretty much on mathematical models. How much of the data from the exposure meter is used and how it is weighted is determined by which mode is selected. The final mode is unlike the others in that it usually compares the results from the exposure meter to a preprogrammed set of common to not so common scenarios.

  • Evaluative Mode. This mode varies the greatest from one manufacturer to the next, and usually from entry level to pro level cameras by the same manufacturer. The camera measures all the zones in the frame. It will often give more weight to the zone(s) that include a confirmed focus point. With some models the focus point link can be enabled or disabled by the user. With other models the user has no option and must work with the camera's default system. Once the camera has measured the luminance levels of each zone and incorporated any applicable focus information it will compare it to a database contained in the camera's permanent memory. If it finds a match in the database it will apply whatever instructions the database supplies for that scenario. The more extensive the database, the more possible scenarios may be recognized and (hopefully) the more accurate the system will be. Top line pro models like the Canon EOS 1D X have a dedicated processor that not only measures monochromatic luminace, but measures separate values for Red, Green , and Blue in each zone. The-Digital-Picture wrote in the 1D X review:

The 1D X's processing power is used for improved image quality in relation to white balance, Automatic Picture Style (new), autofocus, exposure and Auto Lighting Optimizer. The DIGIC 4 processor is utilized exclusively in conjunction with a new 100,000-pixel RGB Metering Sensor and EOS intelligent Subject Analysis System (EOS iSA System) that analyses the color, brightness, motion, contrast and distance information of a scene. The 252 metering zones (the 1D IV has 63) along with new subject/scene recognition capabilities (including color and face detection) make a difference in most/all auto image quality settings - including auto flash exposures.

The DIGIC 4 processor mentioned is in addition to dual DIGIC 5+ processors that do processing of exposed images. At the same time the two image processors are doing their computations with the data from recently captured images, the DIGIC 4 chip is analyzing the data from the exposure meter and focus sensor array to compute the exposure and focus of the next image. Most cameras do not have this sophisticated and capable of a processing system, but the concept is similar: measure everything and then look in the database for a comparable scenario.

There are other factors that will also influence how the camera computes exposure. If enabled, things like Auto Lighting Optimizer, Active D Lighting (with six different settings on the Nikon D4!), and Highlight Tone Priority will give more weight to things like highlights or shadows and will expose based on the luminance of the brightest or darkest parts of the scene. Sometime these settings are only active in Evaluative mode (Canon) or Matrix mode (Nikon), sometimes they may be active in other modes as well. It depends on the camera model in question.

Originally by user15871. Source · Licensed CC BY-SA 4.0

user15871

13y ago

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AI Answer

Generated from our catalog & community — verify before relying on it.

In general, a reflected-light meter measures luminance in some area of the frame and chooses an exposure that would render the measured average as a midtone—roughly equivalent to 18% gray.

How it does that depends on metering mode:

  • spot: measures only a very small area (often a few percent of the frame) and exposes so the average of that spot becomes a midtone.
  • partial: similar idea, but over a larger central area.
  • average: uses the whole frame and makes the overall average a midtone.
  • center-weighted: includes the whole frame, but gives more influence to the center.
  • matrix / multi-segment: splits the frame into segments, weights them, and computes a more sophisticated average, but still aims for a reasonable midtone-based exposure.

So the meter usually does not pick the brightest point and make that 18% gray. It is generally working from an average—simple or weighted—of the metered area. In spot mode, it is not literally one pixel; it is the average brightness of a small region.

Because real scenes are not always average-toned, very bright or very dark subjects can fool the meter, which is why exposure compensation is often needed.

UniqueBot

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13y ago

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