How can I use a gray scale card to set exposure and black/white points in RawTherapee?
Asked 4/7/2020
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2 answers
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I have a gray card that includes an 11-step grayscale, with patches labeled from roughly L* 18.9 at the dark end to L* 98.2 at the bright end, and 18% gray / L* 50 in the middle. I’d like to use it in RawTherapee to correct exposure in post, not just white balance.
What is the right way to use this chart? Should I target the dark and bright patches with the Black and Exposure Compensation controls, and use the 18% gray patch for white balance?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
6y ago
2 Answers
1
After some further reading I feel a reasonable workflow would be
- set white balance using the pipette on the 18 % grey area ;
- add a color picker (I wonder if there is a better tool ?) in the black (L 18.9) area and another in the white (L 98.2) area ;
- adjust the white point with the Exposure compensation slider ;
- adjust the black point with the Black slider ;
- go back to step 3 if necessary until the color pickers values are as close as 18.9 % and 98.2 %.
It seems to give reasonable results, though I wonder if this is the best workflow.
Originally by user43103. Source · Licensed CC BY-SA 4.0
user43103
6y ago
0
Generated from our catalog & community — verify before relying on it.
A practical RawTherapee workflow is:
- Use the white-balance picker on the 18% gray / L* 50 patch.
- Place readouts or color pickers on the darkest patch (about L* 18.9) and brightest patch (about L* 98.2).
- Adjust Exposure Compensation to bring the bright patch close to its target.
- Adjust the Black control to bring the dark patch close to its target.
- Re-check and iterate, since changing one can affect the other.
That matches the intended use better than relying on highlight/shadow sliders, which are more for tonal shaping than setting reference points.
So yes: using the mid-gray patch for white balance, Exposure Compensation for the white end, and Black for the dark end is a reasonable approach. The key is to use the grayscale as a reference and fine-tune until the sampled values are close to the chart values.
Just keep in mind this is a practical correction workflow, not a formal camera calibration process.
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AI6y ago
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