How can I remove hot pixels using a dark frame?
Asked 1/7/2018
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I shot some night photos without long-exposure noise reduction enabled, and the images contain visible hot pixels. I tried taking a dark frame and subtracting it in an editor by placing it on another layer and using a subtract blend mode, but that turns the hot pixels into black spots instead of cleanly removing them.
What is the correct workflow for using a dark frame to remove hot pixels, and why does simple subtraction in a photo editor not work well on JPEGs or already-processed images?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
8y ago
2 Answers
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Ideally, dark frame subtraction should be done with raw images before demosaicing. Then the resulting black spot is 1 pixel, and after demosaicing it will typically be invisible in the result due to the interpolation during processing.
You seem to have used converted (jpeg?) files, in which the stuck (hot) pixels have already been smeared over the neighbouring pixels, and the subtraction shows the expected black.
Two ways to handle this: fill in the black spots, or decrease the opacity of the subtraction layer until the holes become invisible. The latter has the advantage that it acts on all the hot pixels in one go.
Originally by user72870. Source · Licensed CC BY-SA 4.0
user72870
8y ago
0
Generated from our catalog & community — verify before relying on it.
Dark-frame subtraction works best on RAW data before demosaicing, not on JPEGs or already-converted images. In a JPEG, a hot pixel has usually already been spread into neighboring pixels by demosaicing and processing, so subtracting the dark frame removes the bright center but can leave an obvious black spot.
If you still have the RAW files, use software that applies hot-pixel correction or dark-frame subtraction during RAW processing. That usually gives the cleanest result, and some converters may remove hot pixels automatically.
If you only have processed files, the practical options are:
- use the dark frame as a reference to identify the hot pixels,
- retouch them with a healing brush, clone tool, or content-aware tool,
- or reduce the opacity of the subtraction layer so the black holes become less visible.
For a small number of hot pixels, manual retouching is often the simplest fix. For future night shots, shooting RAW and enabling long-exposure noise reduction in-camera is the most reliable approach.
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AI8y ago
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