How can I reduce noise when shooting portraits in very low ambient light without losing a natural look?
Asked 11/30/2017
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2 answers
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I shoot low-light portraits with a Canon T5i and a fast f/1.8 lens, but in very dim scenes I still have to raise ISO high enough that noise becomes a problem. I’m trying to keep the ambient, natural-looking light rather than making the image obviously flash-lit.
I’ve considered:
- stacking multiple noisy frames to reduce noise
- combining several underexposed frames into one brighter image
- just shooting a single high-ISO frame and accepting the noise
Because portraits involve subject movement, I’m not sure how practical stacking is. What’s the best approach for cleaner low-light portraits, and is there a technique that keeps the scene looking natural?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
8y ago
2 Answers
12
Are any of these options preferred, or is there an even better option/technique out there?
Photography is all about tradeoffs. You can compensate for low light by using a longer exposure, or increasing the aperture, or increasing the sensitivity (ISO), or adding more light. You can reduce noise by using lower sensitivity, or decreasing the exposure time, or stacking several images, or buying a camera with better low light performance. All these options are legitimate, but each one comes with some sort of cost, and how you choose to balance the various parameters is really up to you.
One thing you don't seem to have considered is just shooting with more ambient light. I expect that you're mostly interested in making images that look like they were created in dim surroundings and that you aren't necessarily wedded to the experience of shooting in the dark. If you increase the ambient light by a factor of 4 and drop the ISO 2 stops, you'll get the same exposure but less noise. This is a case of using photography's tradeoffs to your advantage: you can create a very low light look even when you've got more than enough light to get a noise-free image.
Before you say get a flash, I like the natural look you get from just the ambient light and even if I used a nice flash that's well diffused I can still tell that a flash was used.
Aside from intensity and duration, there's no actual difference between ambient light and flash... it's all just light. Take a look at the Lighting 101 lessons at strobist.com to begin to learn about how to move your flash off camera, and how to control the shape, color, and intensity so that your photos don't have that recognizable flash look.
Originally by user4262. Source · Licensed CC BY-SA 4.0
user4262
8y ago
0
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There isn’t a single “best” fix—low-light photography is always a tradeoff between shutter speed, aperture, ISO, and added light.
For portraits, stacking multiple frames usually isn’t ideal because subject movement between shots can cause alignment problems and blur. It works better for static subjects than people.
If you need to freeze motion, a single exposure at higher ISO is often the practical choice unless you can change the lighting. The other strong option is to add light in a way that still looks natural: use flash indirectly, such as bouncing it off a ceiling/wall, or combine a slow ambient exposure with flash. A common approach is manual exposure with a relatively wide aperture, higher ISO, and slower shutter to record ambient background light, while the flash lights and freezes the subject. Rear-curtain sync can help keep the result looking more natural.
So for moving portrait subjects: prioritize enough shutter speed, use your lens wide open if acceptable, raise ISO as needed, and if possible use bounced or diffused flash subtly rather than relying on frame stacking.
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