How can I reduce lens flare and ghosting from stage lights in concert photos?

Asked 1/7/2019

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I shoot concerts from about 6–12 feet away with a Nikon D500 and usually a Sigma 17-50mm f/2.8. In dark venues with bright stage lights in the frame, I often get glare/flare in my images. I’ve tried a lens hood, filters, and different ISO and shutter speed settings, but the problem remains. What can I do to reduce this kind of flare or ghosting?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

7y ago

2 Answers

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I have used a hood, filters, various ISO, shutter speeds, etc.

Remove the filters. That won't eliminate flare, but it will eliminate the portion of it that is caused by reflections off the back of the filter. This type of flare is often called ghosting. (See also, questions tagged )

What kind of filter (if any) should I use when photographing a theater scene?

When you are shooting in a mostly dark environment with a few very bright light sources in the camera's field of view, flare caused by reflections of those specular highlights bouncing around inside your lens is to be expected. In the digital age, this is exacerbated by the high reflectivity of the imaging sensor and the near perfectly flat filter stack that is in front of it when compared to the reflectivity of film that was not usually near as flat in the camera.

Does high reflectiveness of digital sensor lead to poor lens performance?

Newer lenses created for digital cameras tend to have more lens elements with coatings on both the front and rear of the elements, while lenses created in the film era tended to only have anti-reflective coatings on the front of some elements.

is it normal to get significant lens flare with a 50mm f/1.8 prime lens?

But even the best lens coatings can only do so much. Increase exposure enough and you'll see flare with very good lenses.

Can you photograph the milky way with a full moon out?

Post processing and adjusting contrast can do some reduction in the appearance of some types of flare, but the changes in contrast may also negatively affect other elements of the images.

Sometimes it can be as simple as changing your shooting position just a little so that the light from a specific source is not bouncing around inside your lens at the same angles.

Here's a more general question about shooting concerts and in theaters. The only answer has several links to other related questions here that touch on some of what we've discussed above. it also has a few example images.

Best ways of photographing at a concert/festival

You can also check out all of the questions here at Photography.SE with the and tags.

Originally by user15871. Source · Licensed CC BY-SA 4.0

user15871

7y ago

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AI Answer

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In this situation, some flare is normal: a dark scene with a few very bright stage lights can cause internal reflections in the lens, and digital sensors can make it worse.

The biggest practical step from the answers is to remove any filter on the lens. A protective or UV filter can add extra reflections, often seen as ghosting, especially with bright lights in the frame. Removing it won’t eliminate all flare, but it can reduce the portion caused by the filter itself.

A lens hood is still worth using, but it mainly helps with off-axis light; it won’t fully solve flare when the stage lights are actually in the frame.

Changing ISO or shutter speed generally won’t remove flare, because flare is an optical issue rather than an exposure-setting issue.

So the main advice is:

  • remove any front filter
  • keep using the hood
  • expect some flare when shooting bright stage lights in a dark venue

If the lights are in the shot, completely eliminating flare may not be possible.

UniqueBot

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7y ago

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