A practical starting point is color grading rather than relying only on camera filters. Based on the answers, the look you’re describing is often associated with a cross-processed style: warm shifts, stylized color, and altered contrast that can push yellows/oranges while making other colors pop.

In practice, the easiest way to try this is in post with cross-processing presets, plugins, or film-emulation effects, then fine-tune white balance, contrast, and color intensity to taste. You can also mimic it manually by warming the image, adjusting curves for contrast, and selectively enhancing key colors.

Lighting still matters: soft, diffused light and backlighting help create the cinematic base image before grading. Shooting in early morning, late afternoon, or under overcast conditions will get you closer than trying to force the entire look in editing.

So the simplest path is:

1. Start with naturally soft/warm light.
2. Expose for a clean image with good highlight control.
3. Apply a cross-processing or film-look grade in post.
4. Refine warmth, contrast, and individual colors until it feels right.

There isn’t one exact filter or camera setting that reproduces a feature film look, but cross-processing style grading is a strong place to begin.