How can I photograph the moon with detail while keeping the surrounding blue sky or scenery?
Asked 6/15/2014
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2 answers
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I want a single image that shows detail in the moon without blowing it out, while also keeping the surrounding context such as a deep blue sky, trees, or buildings. When I expose for the sky, the moon loses detail; when I spot meter for the moon, the sky goes too dark. HDR and automatic exposure fusion have not given natural results. What is the best way to capture this scene: should I shoot at a different time, expose differently, or blend multiple frames manually?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
12y ago
2 Answers
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With an image like this, the best and easiest solution is probably manual exposure fusion. It's easy enough to do in any raster graphics editor (GIMP, Photoshop, etc.).
For example, here's what I managed to produce from your original images in a few minutes in GIMP:
Here are the steps I used:
Open both images as layers in GIMP, with the darker image (moon detail) on top.
Temporarily set the top layer's opacity to something like 20% and move it to align it with the bottom layer. (You'll probably also want to select Layers → Layer to Image Size afterwards.)
Reset the top layer's opacity and — here's the trick — give it a layer mask which is a grayscale copy of the layer itself (Layer → Mask → Add Layer Mask..., select "Grayscale copy of layer").
This makes the top layer mostly opaque in the areas where it's reasonably exposed (i.e. in the moon itself) and transparent where it's underexposed (i.e. everywhere else). This is enough to give you an exposure-fused image, sort of, but it doesn't look very good: the moon is too dark and the surroundings too bright, so we need to tweak it a bit more.
Select the layer mask you just created (in the Layers dialog) and use Colors → Levels... to tweak the mask levels. Here, I left the input levels alone, and just adjusted the minimum output level to around 25 (to darken the surroundings, by making the top layer slightly opaque everywhere) and the maximum output level to around 175 (to lighten the moon face by making it somewhat transparent).
After flattening the image and exporting it as JPEG, the result is as you see above.
Ps. One remaining issue you can notice in the resulting image is that there's some Mach banding visible around the moon, especially when the image is scaled down. This is a common problem when working with images featuring subtle color gradients using 8-bit color. The ideal solution is to work in an image editor that supports a higher color depth and that is smart enough to apply dithering when exporting into an 8-bit format like JPEG. If you can start with RAW images that have a higher color depth and no JPEG compression, that's even better, but not strictly required.
Originally by user6125. Source · Licensed CC BY-SA 4.0
user6125
12y ago
0
Generated from our catalog & community — verify before relying on it.
The key is reducing the scene’s dynamic range. The moon is sunlit and much brighter than the sky at night, so a full moon against a dark blue sky often exceeds what one exposure can hold naturally.
Best option: shoot when the sky is brighter. Photograph the moon earlier in the evening, during twilight, or in daylight. For a fuller moon, daytime or late afternoon works well. For a crescent or near-new moon, shortly after sunset or before sunrise can also work beautifully.
If one exposure still won’t hold both, use manual exposure blending rather than HDR tone-mapping. Put the darker moon exposure on top of the brighter sky exposure, align them, and add a layer mask to reveal mostly the moon from the darker frame while keeping the sky from the brighter frame. This usually looks more natural than automated HDR for moon shots.
Also, meter and expose with the moon in mind: it is a bright, directly sunlit subject. A tripod and careful alignment help if blending multiple frames.
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