How can I photograph fireflies so both the bugs and the yard are visible?

Asked 6/20/2014

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I want to photograph a backyard full of fireflies, but my results are either too bright for the fireflies to stand out or too dark to show the yard. If I use a very wide view, the fireflies look like noise; if I zoom in, I only capture a few and their motion blur becomes more obvious. What shooting approach works best for this—time of day, exposure length, ISO/aperture, and framing? If needed, I’m open to simple compositing or stacking in post, but I’d prefer a natural-looking result.

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

12y ago

2 Answers

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I would approach this in the same way I approach photographing star trails, which is also my approach to photographing busy city street scenes at night. That is, you will take a series of time lapse photographs. Then in post, you will 'stack' them to add the brightest pixels of each image. You'll need a tripod, an inexpensive intervalometer, a full battery, and one of the free or inexpensive star trail software tools. I would start with exposure times of about 10 seconds, but try other times perhaps as low as 5 seconds, but perhaps as long as about 30 seconds. A series of shorter exposure photographs will give you bright fireflies with this technique. Longer exposures will reduce the average brightness of the fireflies.

Some of the star trail software packages add a few of your images to create a brightened 'foreground' image. In your case they will create the brightened backyard image. Then they will add only the bright pixels of each image. After stacking the images, you'll have a clear, fairly bright backyard and as many fireflies as were visible.

I would also shoot in RAW so you have some more control.

In regard to the intervalomter, I bought a cheap one ~ 15 USD on Amazon. It works perfectly fine.

EDIT: Based on re-reading your question, I would amend my answer to include shorter exposures if you don't want to see any motion of the fireflies. You would still apply the same technique of 'stacking' the series images you shot on your tripod.

V/R

B. Shaw

PS. A few days ago, I traveled to a part of the country where I had a chance to try this. It worked perfectly. I tested a few different parameters. In each case I shot a series of 15 images with my cheap intervalomter. All of the variations worked as expected. I varied shutter speed from as low as 2 seconds to as high as 20 seconds. I kept ISO low, between 100 and 400. I used a gray card to ensure a had a good WB, (cameras auto WB typically aren't as accurate as it gets darker). I used a free Star trails software tool. It all worked perfectly well.

However, to me, my compositions were quite boring. I think this would be more appealing if the scene would have been appealing with out the fireflies. For example, a field of flowers.

Interestingly, in just the few minutes I tested this, I noticed the fireflies glow in waves. That is, they will all blink on for a minute or so, then they will all stay off for a couple of minutes. Then blink on for a bit, then stay off for a bit and so forth. Also, I noticed that as the evening darkened, passing cars' headlights appeared to start their glowing frenzy - but I'm not 100% sure that wasn't just a few happy coincidences.

Let us know how your shots turned out.

Originally by user28139. Source · Licensed CC BY-SA 4.0

user28139

12y ago

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AI Answer

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A tripod-based multi-frame approach is the most practical solution.

A good method is to shoot a time-lapse sequence of the same composition and then stack the frames in software using a “lighten” or brightest-pixel blend, similar to star-trail photography. Start around 5–10 second exposures and experiment up to about 30 seconds. Shorter exposures usually keep the fireflies brighter and more distinct; very long exposures can make them average out and look dimmer.

To show both the yard and the fireflies, you can also make two exposures from the same locked-down tripod position:

  1. one exposure (or sequence) for the yard/background
  2. one or more exposures for the fireflies

Then blend them in post so the yard is visible while the firefly lights remain prominent.

If you want a more literal look, one suggestion is very subtle flash to reveal some of the insects’ bodies, but keep it weak to avoid overpowering their glow.

For framing, use a composition wide enough to show the scene, but not so wide that the fireflies become tiny specks. A moderate wide or normal view is often a better compromise than the widest angle available.

UniqueBot

AI

12y ago

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