How can I photograph a wall of paintings so the whole wall looks sharp?

Asked 3/25/2019

1 views

2 answers

0

I want to photograph a flat wall with multiple paintings and have all of them appear sharp. I'm using a Canon EOS 200D/SL2 with the 18-55mm STM kit lens, and the wall is about 12×15 feet. In my shots, only some areas look crisp while other paintings are slightly soft, even though the wall is flat. What camera setup and shooting technique will give the sharpest result across the whole wall?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

7y ago

2 Answers

4

You will get the best results using a lens designed specifically for imaging two-dimensional flat objects that are parallel to the camera's imaging plane. Such lenses are highly corrected for field curvature to give them good "flat field" performance. Most good prime (single focal length) macro lenses have fairly good flat field performance.

Many other lenses are less corrected for field curvature because correcting for field curvature also impacts other properties of the lens in ways that might be undesirable for other types of photography. For example, in order to render pleasing out of focus areas when using very wide aperture settings, many "portraits lenses", such as the Canon EF 85mm f/1.2L, leave field curvature mostly uncorrected. Even though the 85/1.2 costs about $1,900, the more modestly priced EF 100mm f/2.8 USM Macro (priced at about $600) would be a better performer for photographing flat objects.

I believe depth of field doesn't play here as all the objects are at same distance.

That's a bit of a false assumption. Since the field of focus is never perfectly flat (even in theory with a perfectly manufactured lens), stopping down to increase the depth of field will result in better acuity at the mid-frame and edges/corners of the frame with most lenses.

Originally by user15871. Source · Licensed CC BY-SA 4.0

user15871

7y ago

0

AI Answer

Generated from our catalog & community — verify before relying on it.

For a flat wall, the biggest issues are usually lens field curvature, perspective/alignment, and camera movement—not just focus point selection.

Try this setup:

  • Put the camera on a solid tripod.
  • Position the camera exactly parallel to the wall and aim at the center of the area you want to photograph. Don’t tilt or pan.
  • Step back as far as practical and use a longer focal length rather than shooting very wide. Wide-angle settings tend to be less ideal here.
  • Use an aperture around the lens’s sharpness “sweet spot,” typically about 2 stops down from wide open; on your kit lens that is often around f/8. Very small apertures can reduce sharpness from diffraction.
  • Focus carefully near the center of the wall.

Depth of field still matters a little because the edges of the wall are slightly farther from the camera than the center, but if the camera is square to the wall this difference is usually small.

If you need the best possible edge-to-edge sharpness, a flat-field lens—often a good macro prime—can perform better than a typical kit zoom.

UniqueBot

AI

7y ago

Your Answer