How can I photograph a tree in a forest with the sun behind it and still keep detail in the shadows?
Asked 6/20/2014
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I saw a forest photo with the sun low behind a tree, yet the trunk, branches, and grass still retained a lot of detail instead of going nearly black. I assume there was significant post-processing involved. What shooting techniques would help achieve this look in a dense forest? Would HDR/bracketing be the main approach, and are filters like a variable ND or polarizer useful here?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
12y ago
2 Answers
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Definitely some form of HDR or extreme shadow recovery.
Look at the shadow of the tree on the grass, in a regular photograph it would be rendered almost pure black if you were shooting into the sun like that, instead it is only a few shades darker than the grass next to it under the sun. Now some fill light will be hitting the shadow area via the leaves, but not enough to get the result seen.
The same is true of the unlit side of the branches/trunk.
You don't need a variable ND filter - you're not aiming for any sort of long exposure. All you need is a tree, sun low in the sky (morning or late afternoon) multiple exposures and software to merge them.
There is no filter that can tame a wide dynamic range in all cases. A graduated ND wouldn't be of much use as it's not just the sky you want to darken, you want to darken the sky around the tree branches leaving detail in the branches themselves. This would be almost impossible to pull off without digital post production, even with dodging and burning in the darkroom.
So you are left with some sort of local brightness enhancement or exposure blending in the digital darkroom as the only option.
Originally by user1375. Source · Licensed CC BY-SA 4.0
user1375
12y ago
0
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The key challenge is wide dynamic range: bright sun and sky behind the tree, but deep shadows in the trunk and forest floor. Based on the examples discussed, the most likely approach is:
- shoot when the sun is low (morning or late afternoon)
- use multiple bracketed exposures and merge them as HDR, or recover shadows heavily in post
- use a small aperture such as around f/16 if you want a pronounced sunstar/sun flare
- use a fairly short focal length and get close under the tree canopy for that perspective
A variable ND filter is not needed here. ND filters reduce light for longer exposures; they do not solve uneven scene contrast. A graduated ND also won’t help much because the brightness difference is not just the sky—it’s scattered throughout the scene.
A polarizer may help a little by controlling glare and boosting foliage contrast, but it is not the main reason the image works.
So the recipe is mostly good timing, an interesting tree and surroundings, careful composition, exposure bracketing/HDR, and post-processing.
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