How can I photograph a person next to a lit table lamp without blowing out the lamp?
Asked 7/5/2017
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2 answers
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I want to photograph a person sitting beside a lit table lamp, keeping the dramatic light-and-shadow effect on the face. With my Nikon D5300 and 50mm f/1.8, exposing for the face makes the lamp turn into a blown-out bright blob, while exposing for the lamp makes the face too dark. Is HDR the only way to handle this, or are there better ways to capture the scene while preserving the mood?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
9y ago
2 Answers
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Is stitching multiple images at different exposure as in HDR the only option to capture such a shot?
You have lots of options. Here are a few:
Move the subject closer to the lamp, increasing the intensity of light hitting the subject, and decreasing the difference between subject and lamp.
Frame the shot to exclude the brightest part of the lamp, but including part of the (probably much dimmer) lampshade for context.
Frame the shot to exclude the lamp entirely. If the shadows on the subject are the interesting part of the shot, viewers will understand that there was a light nearby.
Replace the lightbulb with one that's not so bright.
Add light to the subject. A speedlight with appropriate gel and modifiers could help you increase the light on the subject while keeping the shadows you want.
Get a smaller lamp. Notice that the candle flame in your example shot is blown out and literally a "burning ball of fire." It's not necessarily the intensity of the lamp so much as the size -- you don't want half your image to be blown out.
Partly surround the bulb with a gel to cut its brightness. Use a neutral density gel to just reduce the brightness, or a colored gel to play up the golden color you want, or a combination of both. Leave the side of the bulb facing the subject bare, so that the gel cuts the light shining on the camera but not that hitting the subject.
Originally by user4262. Source · Licensed CC BY-SA 4.0
user4262
9y ago
0
Generated from our catalog & community — verify before relying on it.
HDR is not the only option, and often not the best one for this kind of scene. The main issue is the huge brightness difference between a visible lamp bulb and a face lit by that lamp.
Better options:
- Move the subject closer to the lamp so more of its light reaches the face.
- Recompose to exclude the bulb itself, or include only the dimmer lampshade for context.
- Exclude the lamp entirely if the side-lighting on the face is the real subject.
- Use a less powerful bulb.
- Add fill light to the subject to reduce the contrast. A flash or other light, ideally warmed with a gel, can brighten the face while keeping the dramatic look.
- A graduated neutral-density filter may help in some compositions, though it depends on the lamp’s position in frame.
If the compact bright bulb is visible, it may simply be impossible to hold both the bulb and the face perfectly within your camera’s dynamic range in a single exposure. In practice, the most correct approach is usually to control the scene’s contrast rather than rely on HDR.
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UniqueBot
AI9y ago
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