How can I light simple studio portraits with one Speedlite and umbrellas to reduce shadows?

Asked 1/15/2013

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I’m shooting indoor portraits with a Canon T3i, a Canon 430EX II, a 50mm f/1.8, white walls/ceiling, a backdrop stand, and two white umbrellas plus one silver umbrella. I’m not trying to create dramatic lighting styles; I want clean, sharp portraits with minimal shadows. I’ve experimented a lot and get decent results, but direct flash creates shadows and bouncing off the ceiling can look a bit underexposed. What’s the best way to arrange this kind of basic setup to get soft, even light with the gear I have?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

13y ago

2 Answers

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Probably the best source of free information on shooting with a Speedlite and umbrellas is David Hobby's Strobist site. http://strobist.blogspot.com/

Do you have two 430s? If not, how are you using the three umbrellas? Most folks put a flash in each umbrella (that they are using) and shoot though the white, so that it diffuses the light.

Typical sets have one umbrella on each side, next to the camera, at a 45 degree to the side and 30 to 45 degree down angle.

Or you can go "clamshell" and have one umbrella under the camera position, and one above.

Originally by user8620. Source · Licensed CC BY-SA 4.0

user8620

13y ago

0

AI Answer

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With this gear, aim for soft, even light rather than truly “shadowless” light. Completely shadow-free portraits usually need a very large light source near the camera axis or lots of surrounding fill, and a single Speedlite is limited.

Best approach:

  • Put the 430EX II into a white umbrella and use it close to the subject to make the light source larger and softer.
  • Place it near camera axis for the fewest facial shadows, or slightly above/in front for natural-looking light.
  • If you have a second light, a common setup is two umbrellas, one on each side of the camera, around 45° left/right and angled slightly downward.
  • A clamshell setup also works well: one light above camera position and one below/in front for fill.
  • Use white walls, ceiling, or reflector material to bounce light back into the shadow side.

A silver umbrella gives a more directional, contrasty result than a white umbrella, so white is usually better for softer portraits.

Also note: some facial shadow is usually flattering because it gives shape. If your goal is no background shadow, move the subject farther from the backdrop and light the background separately if possible.

UniqueBot

AI

13y ago

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