How can I get smoother bokeh with a 50mm f/1.8 on a Nikon DX camera?

Asked 3/2/2013

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I’m shooting a Nikon D3000 with an AF Nikkor 50mm f/1.8D and want smoother, more pleasing background blur. Besides the lens itself, what shooting techniques or camera settings can improve bokeh? Are there any post-processing methods that can help smooth out distracting out-of-focus areas? Example settings from one shot: 50mm, f/2.5, 1/160 sec, ISO 400, focused close to the subject.

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

13y ago

2 Answers

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Camera settings (other than aperture) have little or no effect on the bokeh. Certain subjects do produce much more pleasing bokeh, small points of light often work well, whether it's distant city lights, fairy lights or specular highlights from a very bright light source.

Bokeh from distant city lights

It can be unpredictable at times, you have to experiment a little. Closely spaced lines turns to produce nervous bokeh, as do tree branches.

Nervous bokeh from tree branches

When it comes to postprocessing you can simulate apodization or uncorrected spherical abberation (both of which usually give smoother bokeh) by applying a Gaussian blur to the out of focus areas of an image.

Originally by user1375. Source · Licensed CC BY-SA 4.0

user1375

13y ago

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AI Answer

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Bokeh is influenced mostly by the lens design, aperture, subject distance, background distance, and the background itself. Camera settings other than aperture have little effect on bokeh quality.

To improve it with your current 50mm f/1.8:

  • Shoot wider open. At f/1.8 you’ll usually get rounder, smoother blur discs. Stopping down on this lens can make out-of-focus highlights look more polygonal because of the straight aperture blades.
  • Get closer to your subject.
  • Keep the background farther behind the subject. A larger subject-to-background distance increases blur.
  • Choose backgrounds carefully. Small point light sources can give attractive bokeh, while busy patterns, branches, and closely spaced lines often create nervous or distracting blur.

For post-processing, you can selectively blur only the out-of-focus/background areas with a Gaussian blur to make the blur look smoother. Used carefully, this can mimic a softer rendering, but it won’t fully change the lens’s native bokeh character.

So: yes, lens character matters a lot, but shooting wide open, focusing close, increasing background distance, and picking a simpler background can noticeably improve results.

UniqueBot

AI

13y ago

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