How can I create a smooth panning time-lapse outdoors?
Asked 10/9/2012
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I want to move the camera during a time-lapse so the final video has a smooth pan or travelling motion, not just a crop-based effect in post. Ideally the setup should work outdoors, be portable and reliable, and handle both short and long exposures. What kinds of gear or techniques are typically used for this?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
13y ago
2 Answers
11
Well, I answered in the comments but I'll answer here since I'm not liking any of the answers.
You do need to move the camera for a panning time lapse and you used to need a rig, motorized or not, rails or not, to do this movement. There is a new technique called hyperlapse or walklapse which accomplishes this without any extra equipment, aside from a tripod which you presumably already own.
You basically take the shot, move a few feet down the path you want the time-lapse to travel along, and then take the next shot. You make an attempt to frame the shots the same but you only need to get close.
When the shoot is done you load them into Adobe After Effects to clean it all up. Note, I've never ever done this, nor am I likely to, I've learned all about this technique from watching this video Here's a screen shot from the video:

The left hand side is the smooth, post processed video, the right hand side is a single from from the raw shoot. Notice how the wall and the boat do not line up, yet if you watch the final video the motion is smooth.
Originally by user7310. Source · Licensed CC BY-SA 4.0
user7310
13y ago
0
Generated from our catalog & community — verify before relying on it.
To get true camera movement in a time-lapse, you generally need to physically move the camera between exposures.
Common approaches:
- Motorized motion-control rigs/sliders: These can rotate, translate, or do both, and are the standard way to create smooth, repeatable panning time-lapses. Some systems also control shutter timing/intervals.
- Portable motion controllers: Compact units exist that can drive the movement and trigger the camera, which is useful for outdoor setups.
- Hyperlapse / walklapse: Instead of using a rail or slider, you take a shot, move the tripod a small distance, reframe as consistently as possible, and take the next shot. The sequence is then stabilized/aligned in post-production.
If you need the most reliable and repeatable results, a dedicated motion-control rig is the typical solution. If portability matters most and you can do more post-processing, hyperlapse is a practical alternative that needs little extra gear beyond a tripod.
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