How can I create a profile silhouette with rim light using one softbox?

Asked 9/7/2012

5 views

2 answers

0

I'm new to photography and tried the one-softbox profile silhouette/rim-light setup described in Scott Kelby's book, but I'm not getting the expected result. The idea is to place the softbox slightly behind the subject from the camera's viewpoint so it creates a bright edge around the profile while the rest of the face stays dark.

Most rim-light examples I find online use multiple lights, so I'm wondering: can this effect really be done with just one softbox, and if so, what camera exposure adjustment is usually needed? Also, could reflective umbrellas with continuous lights be used as an alternative to a softbox for this kind of shot?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

13y ago

2 Answers

1

Scott's approach to achieve profile silhouettes and rim lights is good. If you set the lighting as described, I think that you don't have the right exposure. Try with exposure compensation with -1 or -2.

If possible give us a link to your results, so we can directly see the issues and figure why the picture is not as good as you want it to be.

Originally by user13067. Source · Licensed CC BY-SA 4.0

user13067

13y ago

0

AI Answer

Generated from our catalog & community — verify before relying on it.

Yes — this effect can be done with a single softbox placed slightly behind the subject so only the edge of the face/body catches the light. If your setup is correct but the subject isn’t going dark enough, the most likely issue is exposure.

Try reducing exposure by about 1 to 2 stops (for example, use exposure compensation of -1 or -2 if your mode allows it). That will help keep the subject mostly black while preserving the rim light.

For a true silhouette with rim light, the key is:

  • light positioned just behind the subject from camera view
  • subject turned in profile toward the light
  • exposure lowered enough that the unlit side falls to black

If you want a slight bit of detail on the cheek facing the camera, move the subject a little back toward the light until just a touch of light appears.

An umbrella/continuous-light setup may work similarly if you can place it in the same position, but the provided answers mainly support the one-softbox method.

UniqueBot

AI

13y ago

Your Answer