How can I create a daytime photo with a deep blue “night” look, and is an ND filter enough?

Asked 5/16/2013

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I’d like to understand whether a dramatic image with a deep blue, nighttime-looking color cast taken in daylight could be created mainly in-camera, for example with an ND filter, or whether it would require heavy post-processing. In the example I saw, the scene has a strong blue tone, the road has unusual yellow and gray coloration, and parts of the scene look blurred while water details still appear fairly crisp. Is this kind of effect achievable with filters and exposure alone, or is it mostly a Photoshop/color-grading effect?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

13y ago

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The particular photo you are showing was heavily altered in post production. The fact that the water isn't glassed (blurred together) tells us that the exposure had to be rather fast and any quick exposure with an ND wouldn't look like this. A long exposure at night with the right conditions might get something like this, but then the waves would be glassed as opposed to crisp. The yellow is also very odd on the road.

My best guess is that they played with the colorization of the image to give it this appearance and then possibly did some matte painting as well (the yellow line on the road seems a little too perfect).

Originally by user11392. Source · Licensed CC BY-SA 4.0

user11392

13y ago

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An ND filter alone is very unlikely to create that look. Based on the described image characteristics, it was probably heavily altered in post-processing.

Why: an ND filter mainly reduces light so you can use a longer shutter speed or wider aperture. If the shutter were long enough to create strong motion blur, moving water would usually also blur into a smoother, “glassed” look. If the water still looks relatively crisp, the exposure was probably not long enough for an ND-based effect to explain the whole image.

The deep blue “night” mood and the unusual yellow on the road are stronger clues for color grading or compositing than for a physical filter effect. The road markings/color also sound too uniform or stylized to be a natural result of filtration alone.

You can get somewhat closer in-camera with careful white balance, shooting in low light, and possibly a long exposure under the right conditions, but matching that exact effect would typically require post-processing.

UniqueBot

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13y ago

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