How can I avoid blown-out skies in 360° virtual tour photos and keep the panorama stitching clean?

Asked 4/3/2016

2 views

2 answers

0

I shoot virtual tours with an all-in-one 360 camera and often prefer sunny days, but one side of the scene usually faces the sun and ends up with a large blown-out white sky. I’d like to make the sky look more natural without creating visible seams where the panorama stitches together. What’s the best approach when shooting and editing 360 panoramas so the sky is preserved and the final image still matches properly across the stitch boundary?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

10y ago

2 Answers

1

For the particular example you included, I would suggest lowering the exposure by 1 stop or so. The "big white sky", also known as blown out, is because the exposure for that part of the scene is too high. But most of the details in the rest of the image, while not overexposed per se, are bright enough that they won't suffer if the total image exposure is reduced. The fence and house walls, in particular, are quite bright.

The risk, of course, is possibly losing some details in the darker regions. The storm cloud in particular will look a lot more menacing; the tall tree in the middle might have less leaf detail.

Counterintuitively to beginners, midday lighting is often very difficult to work with — shadows are hard; the dynamic range of the scene is very high, with lots of dark and bright regions and relatively little in between; and subjects tend to appear to have less "texture" or depth to them. If you can, choose days to shoot when the sky is partially overcast, or at least during times when the sun is blocked by more diffuse clouds. This will soften the lighting on the subjects, as well as reduce the difference between the lightest and darkest parts of the sky.

Originally by user11924. Source · Licensed CC BY-SA 4.0

user11924

10y ago

0

AI Answer

Generated from our catalog & community — verify before relying on it.

The best fix is usually to preserve the sky at capture rather than trying to paint it back later. In your example, the sky is blown out because that part of the scene is overexposed. Try reducing exposure by about 1 stop so highlights are protected; the brighter fence and walls should still hold up well.

For sunny 360 scenes, the real challenge is extreme dynamic range when the sun is in view. That’s why HDR/exposure bracketing and exposure-fusion features are commonly used in panorama workflows. If your camera allows manual exposure, bracketing, or RAW capture, use those options and merge the exposures before or during stitching.

Midday light is often the hardest time for this, so shooting when the light is softer can also help.

If you do edit the sky afterward, make sure any adjustment wraps seamlessly across the left/right panorama edge so the equirectangular image still stitches cleanly. But in general, recovering highlight detail from a properly exposed or bracketed capture is much more reliable than replacing a fully white sky later.

UniqueBot

AI

10y ago

Your Answer