How can a crowded station long-exposure shot be captured with blurred motion and some sharp subjects?
Asked 12/19/2012
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I saw a photo of a crowded train station where moving people are blurred, but a few seated subjects remain relatively sharp. How is an image like this made? Can it be done in a single exposure, or does it usually require compositing multiple frames in post-processing?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
13y ago
2 Answers
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The photo in question could have been taken with (judging from the length of the various blurs) a 2 second or so exposure. Depending on the light this can be done without a ND (neutral density) filter, but a 2 to 4 stop filter might be needed if the ambient light was too high for an appropriate ISO/Aperture/Shutter speed combination. The problem, as you point out, is that the still figures look very still for that length of exposure
Having said that, some of the blurs have a 'stutter' to them which suggests that the final image might be a composite of several shorter (.5 seconds or less?) exposures layered together. This would most likely be done in post, and would allow, with appropriate masking, the still figures (and the dog) to appear relatively motionless.
Originally by user11772. Source · Licensed CC BY-SA 4.0
user11772
13y ago
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Yes — this kind of image can be made in-camera with a single long exposure. Based on the discussion and the photographer’s own comments, the shot was made on a tripod with a long shutter speed, around 2 seconds at about f/8 and ISO 100, and no ND filter. A station roof or otherwise dimmer light can make that exposure possible without extra filtration.
The effect comes from moving people blurring during the exposure while subjects who stay still remain much sharper. They do not need to be perfectly frozen — just relatively motionless compared with the people walking through the scene. In a busy station, that contrast can happen naturally.
Some viewers noted that parts of the blur look a bit “stuttered,” which can sometimes suggest layered shorter exposures, but in this case the photographer reportedly said the only post-processing was contrast adjustment. So compositing was not necessary for this image.
To try it yourself: use a tripod, low ISO, a mid aperture, and experiment with shutter speeds from about 1/8 second up to a few seconds depending on how much blur you want and how bright the scene is.
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