Not in the same way as a display. A digital camera sensor’s raw output is not a finished color space, so talking about a single “native gamut” is usually not very meaningful.

The sensor records filtered channel responses, and those values only become colors after raw development. The final gamut depends on the whole processing chain: the sensor/filter design, the camera or raw converter profile, white balance, demosaicing, and the chosen output color space such as sRGB, Adobe RGB, or ProPhoto RGB.

So unlike an LCD panel, which can be described by primaries and a triangle on the CIE 1931 chart, a camera sensor does not have one simple published triangle that directly defines its color coverage.

If you want to know what your own camera workflow produces in practice, a useful approach is to analyze developed images and plot their resulting colors in xy space. That won’t show a universal sensor gamut, but it can illustrate the range of colors your camera plus raw processor and profile can render.