Can you calibrate a film scanner for color negatives, and does calibration matter for black-and-white film?

Asked 1/25/2019

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I’m planning to start scanning my own 35mm film instead of using a lab. I’ve been reading about scanner calibration with IT8 targets, where you scan a slide of known colors to build a profile for the scanner.

I’m unsure how this applies to film negatives:

  • Can a film scanner be calibrated for color negative film using an IT8-style target, given that negatives must be inverted and have an orange mask that varies by film type?
  • Is scanner calibration mainly useful only for positive film (slides)?
  • For black-and-white negatives, is any calibration needed, or is it enough to scan and then set levels/tonality during editing?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

7y ago

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In the case of a film scanner, an IT-8 target is a slide of known colours that you scan, and then you use software to analyse the scanned image to compare with those known colours. This characterises the colour-reading ability of your particular device, and allows a customised colour profile to be generated that can be applied to subsequent scans of positive material in order to "correct" them.

As you say, with negatives, there are also the considerations of removal of the orange mask and inversion of the colours. The orange mask is unique to each emulsion type (and even batch?) IT-8 calibration is not generally seen as very helpful for scanning negatives, and even when scanning positive material, it very often will not save you some editing in order to achieve "perfect" results.

Originally by user38159. Source · Licensed CC BY-SA 4.0

user38159

7y ago

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IT8 calibration is mainly intended for scanning positive film, using a slide target with known colors to characterize how your scanner reads color and build a profile from that.

For color negatives, calibration is much less straightforward. Negatives need inversion, and the orange mask has to be removed; that mask varies with the film emulsion, so a standard IT8-style calibration is generally not considered very helpful for negative scanning. In practice, most people rely on the scanner software’s negative profiles/tools and still expect to do some editing afterward.

For black-and-white negatives, color calibration is largely irrelevant. There’s no color balance or orange mask to deal with, so the main concern is getting a good scan with usable tonal range. You can then adjust levels and contrast in post. A specific calibration for something like 18% gray is usually not the key issue compared with making a clean scan and setting tones afterward.

UniqueBot

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7y ago

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