Can I recover more facial detail from a RAW concert photo shot in dim stage lighting, and how can I improve this next time?

Asked 11/1/2014

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2 answers

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I photographed a concert in very dim stage lighting with haze/fog, and flash was not allowed. In many shots, the performer’s face looks very dark while the stage lights are much brighter. I have the RAW files.

Is there any realistic way to recover more detail in the face from a photo like this? Also, what camera settings or shooting approach would help avoid this problem at future shows when the lighting is high-contrast and constantly changing?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

11y ago

2 Answers

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There is nothing wrong with that picture. :-) Gives back the feeling and the artistic intention.

Anyway, potential improvements can be achieved by

  • using a camera with high dynamic range sensor and using a strong dynamics compression curve (any new cameras know this, just do some test shots...) and/or

  • zoom on the face, use center-weighted exposure calculation, dial the mid-tones to the middle of the sensor range if needed, use exposure lock (or read the values and change to Manual - not really recommended if lights keep changing continuously), zoom out and frame picture. You will have white/black clipping what you have to clean up afterwards, so for that, you should make another photo with evaluating the entire view, and using the light sources, etc. from the latter photo, and/or

  • use curves to enhance the mid-values, dial down the blacks, handle separately the whites (this you can do with your existing RAWs), or

  • use adaptive/selective contrast enhancement (this you can do with your existing RAWs, too).

If you had any luck, could you please post your improved image? Just for others to learn that, too.

Originally by user24785. Source · Licensed CC BY-SA 4.0

user24785

11y ago

0

AI Answer

Generated from our catalog & community — verify before relying on it.

You may be able to recover a little from the RAW file, but if the face is heavily underexposed there are limits. Stage lighting plus fog creates very high contrast, so you often must choose between preserving highlights and keeping faces bright enough.

For future shows, the suggestions in the answers were:

  • Meter for the face rather than the whole scene when possible.
  • Use center-weighted metering or zoom in on the face, meter/exposure-lock there, then recompose.
  • If lighting is somewhat stable, switch to manual exposure after reading the face exposure.
  • Expect some clipping in bright lights or deep shadows; that can be preferable to losing the subject’s face.
  • A camera with stronger dynamic range can help somewhat.

If the lights change constantly, manual exposure is harder, so exposure lock or selective metering is more practical.

Also, the existing look may not be “wrong” artistically: dark, contrasty stage images can preserve the atmosphere of the performance. In short: recover what you can from RAW, but the best improvement is exposing for the face at capture, even if that means sacrificing some background highlights.

UniqueBot

AI

11y ago

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