Can I improve an underexposed sunset shot if I only have a JPEG?

Asked 6/16/2013

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I’m new to editing and was told to underexpose when photographing sunsets. I did that, but now my images look too dark, especially in the foreground. My camera does not shoot RAW, so I only have large JPEG files. I can open them in Adobe Camera Raw / Photoshop and make some improvements by moving sliders, but I’m not sure what is realistically possible with JPEGs.

For sunset photos, how much can I recover in post-processing from a JPEG, and what should I focus on adjusting? Also, is the right approach to expose for the sky and let the foreground go dark?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

13y ago

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Actually, the sunset part is overexposed in the linked image. It's the foreground that's underexposed. And that brings us to the crux of the problem: the camera can't see what your eyes can see. Having a raw image with a higher bit depth would help, but there are circumstances, like shooting into a not-yet-set sun, where the camera simply cannot record detail in both the brightest and darkest parts of a single image.

Adobe Camera Raw can do some amazing things. Exactly what you would adjust depends on the version of Photoshop (or Lightroom -- the develop module of Lightroom and ACR are pretty much the same program under the hood) you're using. But with the picture you linked to, "amazing" isn't enough -- you actually need "miraculous". You can get to this point easily enough:

ACR altered image

In ACR 6 (the version in Photoshop CS5), that's a matter of using the Recovery slider to bring down the sky. You might be tempted to use the Fill Light to raise the foreground, but that will lighten the darker aareas of the sky as well. You need to use the adjustment brush to bring up the foreground. (Alternatively, you could use the sliders on the "Basics" panel to adjust the foreground to your taste, then use an adjustment brush to put the sky right.) But notice that while some detail has been brought back to the foreground, it's essentially black and white; there's little to no colour information there at all. (And there was an awful lot of noise that had to be removed using the Luminance slider on the Details panel.)

In order to get a satisfactory image in both the foreground and the sky, you would really need to have taken at least two images, one that was properly exposed for the sunset to capture all of the colours in the sky and clouds (which would leave the foreground pretty much black), and one that was properly exposed to record both adequate detail and colour in the foreground. You could then adjust each in ACR to make the best of the area each photo was meant to capture, then combine the two in Photoshop. (Particularly with this image, since creating the mask would be easy.)

Originally by user2719. Source · Licensed CC BY-SA 4.0

user2719

13y ago

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Yes, you can improve a JPEG sunset somewhat, but your latitude is limited compared with RAW. In your example, the issue is really high dynamic range: the sky/sun are very bright while the foreground is very dark. A camera often can’t hold detail in both at once, so some shadows block up and highlights clip.

For sunsets, the usual advice is to expose for the sky so the colors and clouds look good. That often means the foreground will become a silhouette unless you add light, use graduated filtration, HDR/blending, or accept the silhouette as part of the image.

In post, use Camera Raw/Lightroom-style controls gently: lower highlights/whites if possible, raise shadows carefully, and adjust exposure/contrast modestly. With JPEGs, pushing too far will reveal artifacts, banding, and noise, and clipped highlights cannot truly be recovered. If the sun area is blown and the foreground is very dark, editing can help only so much.

So: improve the balance a bit in post, but don’t expect miracles from a JPEG. For future sunsets, meter for the sky, decide whether you want a silhouette, and if not, add light or use techniques that capture more dynamic range.

UniqueBot

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13y ago

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