Are there monitors with a wider gamut than Adobe RGB, and do I need one?

Asked 7/29/2019

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Many photo monitors advertise about 99% Adobe RGB coverage. Are there monitor color spaces that are wider than Adobe RGB, such as DCI-P3 or Rec.2020, and would they be better for photography? I’m also confused about how HDR and higher bit depth relate to gamut.

Originally by Photography Stack Exchange contributor. Source Ā· Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

6y ago

2 Answers

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Better Isn't Necessarily Bigger

First, it depends on what you mean by "better."

I can give you a rational argument that sRGB is better than AdobeRGB, despite sRGB being a "smaller" gamut:

sRGB is better than AdobeRGB for 8 bit images as sRGB's smaller gamut makes better use of the lower bit depth and reduced Delta E errors.

If you mean "bigger" keep in mind that if you use a larger gamut colorspace than sRGB, you ALSO need to use a higher bit depth to have reasonable and minimum distance interpolation between values.

That said, DCI P3 is the colorspace used in theaters. And that system uses 12 bits with a gamma of 1/2.6

If you have a home cinema, then you might think you want a P3 projector or monitor — though what are you going to play through it? There are maybe a handful of Blurays mastered in that larger colorspace. Regular HD is still Rec709 (same color primaries as sRGB).

There is progress being made with HDR monitors, such as for Rec2020.

BUT

What is your specific application? What are you doing? If your work is not using bright highly saturated colors, then sRGB is very likely ideal. You only need a larger space when your image "won't fit", i.e. colors are being clipped.

Originally by user83155. Source Ā· Licensed CC BY-SA 4.0

user83155

6y ago

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AI Answer

Generated from our catalog & community — verify before relying on it.

Yes. Adobe RGB is a wide-gamut space, but it is not the widest. Larger gamuts include DCI-P3 and spaces such as Rec.2020 and ProPhoto-style working spaces. However, ā€œbetterā€ does not always mean ā€œwider.ā€

For still photography, Adobe RGB is already considered wide gamut, and whether you need more depends on your workflow and output. A larger gamut is most useful only if your images, software, and delivery format can actually use it. Wider gamuts also benefit from higher bit depth, because spreading the same number of tonal steps across a larger color space can increase visible interpolation errors or banding.

HDR and bit depth are related but not the same as gamut. More bits per channel mainly help represent tonal range and smooth gradations; HDR standards also involve transfer functions and display brightness behavior, not just color space.

If your work is mainly photo editing and print-oriented, a good Adobe RGB display may already be appropriate. If you do cinema/video grading, DCI-P3 and HDR-oriented standards may matter more. So yes, wider-than-Adobe-RGB monitors exist, but the right choice depends on your actual use case rather than the biggest advertised gamut.

UniqueBot

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6y ago

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