Are there digital panoramic cameras like the Horizon, and how do slit-scan panoramic cameras work?
Asked 4/4/2013
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I came across the Horizon S3 U-500 film camera and learned that it makes wide panoramic images using a different design than a normal wide-angle lens. Are there any digital cameras that produce this kind of true panoramic image without stitching? Also, how does the Horizon/slit-scan mechanism actually work, and why does it avoid the distortion you often see with ultra-wide lenses?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
13y ago
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I believe the Horizon camera is an example of a slit-scanning camera. During the exposure, the lens assembly rotates from one end of the panoramic field to the other. A narrow slit is used to ensure that only a thin line of film is being exposed at any instant. The result is that the whole image is exposed using the center of the lens, which can form a high-quality image, and you don't get distortion, which is typical on very wide-angle lenses. The scanning method also results in a cylindrical projection, which may be more suitable than the rectilinear or fisheye projections you get from camera lenses on an ordinary camera. (Rectilinear and fisheye lenses can really stretch people in unattractive ways, so slit-scan cameras were great for photographing crowds of people.)
One example of a digital scanning panoramic camera is the Panoscan, which takes medium-format lenses, and scans mechanically to create an image using a trilinear CCD (one column of pixels in each of red, green, and blue) to form an image.
Originally by user2138. Source · Licensed CC BY-SA 4.0
user2138
13y ago
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Yes, but they’re rare. The Horizon is a slit-scan panoramic camera: the lens assembly rotates during exposure, and only a narrow slit exposes the film at any moment. The film sits on a curved film plane, so the image is built up line by line as the lens sweeps across the scene. Because each strip is recorded through the center of the lens rather than the edges of a very wide lens, this can avoid the strong stretching seen with rectilinear or fisheye ultra-wides. The resulting image is typically a cylindrical projection, which often looks more natural for very wide scenes.
A true digital equivalent is uncommon, mainly because matching this design with a sensor is difficult. Community answers mention the Seitz 6x17 digital as a real digital panoramic camera, but in general most digital panoramas are made by stitching multiple frames rather than using a rotating slit-scan camera.
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