What do I need to try reversed-lens macro on a Nikon D3200 with an 18-105mm lens?
Asked 2/12/2017
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I’m new to photography and need very high-magnification close-up photos for insect classification, such as showing tiny hairs on an ant’s head. I have a Nikon D3200 with the AF-S NIKKOR 18-105mm f/3.5-5.6 lens. I tried holding the lens reversed by hand, but I had to keep the aperture open manually, which seems awkward and unreliable.
What equipment would I need to do reversed-lens macro properly on this camera? I’m especially confused about reversal rings, adapters, and how aperture control works when the lens is mounted backwards. Would an older lens such as an El-Nikkor 50mm be easier to use in reverse, or is it better to use my existing lens?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
9y ago
2 Answers
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Due to the extremely small depth of field and high magnification, you will need:
- A lens reversal ring (make sure you choose the right thread size) to mount the lens onto your camera backwards
- A tripod to keep the camera stable
Even better if you can also get:
- A Nikon BR-6 adapter
- A Nikon AR-3 shutter cable
- A lens whose physical and focal length don't change when you focus.
- A wireless shutter remote
The BR-6 adapter goes on the back of your lens, and enables you to lock the aperture wide open. With the AR-3 shutter release cable, which screws into the BR-6 adapter, you can adjust the aperture yourself with a button you press down. You can set it to stay wherever you leave it; i.e. an any aperture. Unfortunately there's no aperture scale, though such a scale wouldn't be much use anyway since the f number is different when you mount a lens in reverse. These tools aren't required for an AF lens with an aperture ring that lets you adjust the aperture manually. But they are very handy for lenses without an aperture ring.
Another important consideration is that if you use a lens that changes physical length when you focus, then this can result in having to physically shift the tripod/camera every time you want to change focus.
Photos of Setup
Here's what the lens looks like with the reversal ring screwed in where a filter would normally go, and the BR-6 adapter attached:
At this point, you can lock the aperture either wide open or fully stopped down, but nothing in between. Unfortunately, the BR-6 doesn't provide this capability. Unless....
...you add an AR-3 shutter cable to it. Now you can push down the button to the desired aperture, and it will stay in place. The cable has the added bonus of not disturbing your camera as much when you want to adjust the aperture. The camera is very sensitive to slight movement when shooting macro.
Here's what the camera looks like with the adapted lens mounted:
And here is an example (focus-stacked) image taken with this setup:
Additional Advice
Freelensing
Your technique of holding the lens by hand is sometimes known as freelensing. While this can produce tilt-shift effects that look interesting in some situtations, it will probably make macro focussing nigh impossible. If you don't align the optical axis of the lens exactly perpendicular to the camera's sensor, and intersecting the center, then the focal plane will be tilted and shifted.
i.e. here's an example photo I took while freelensing for selective focus on a subject's eyes (although I didn't do a great job):
I have not added blur to this photo after the fact. This is how it was taken. That's caused by a tilted focal plane, something which will only compound on the difficulty of precise focus when taking macro photographs.
Focus Stacking
When taking macro photographs, the depth of field is extremely small because of the high magnification. So small, in fact, that you may be tempted to use the smallest aperture available and end up with diffraction limited photos as in my case here. There are a couple of solutions:
Take long exposures on higher f numbers (being wary of diffraction), and make sure your camera and subject are perfectly still. This is where a shutter remote comes in as well.
Take a series of photos, identically composed, at different focus settings. Use software after the fact to merge these photos (i.e. Photoshop's Auto-Blending of Layers does a good job).
Originally by user37674. Source · Licensed CC BY-SA 4.0
user37674
9y ago
0
Generated from our catalog & community — verify before relying on it.
For reversed-lens macro on your D3200, the basic item is a lens reversal ring matched to your lens filter thread so you can mount the lens backwards. Because magnification is high and depth of field becomes extremely thin, a tripod is strongly recommended, and a remote or cable release helps reduce shake.
The main problem with your 18-105mm is aperture control: when reversed, modern lenses are awkward because they are not designed for easy manual aperture operation off-camera. One answer specifically recommends a Nikon BR-6 adapter plus AR-3 shutter cable, which lets you hold and adjust the aperture mechanically on a reversed lens.
Older manual-focus “legacy” lenses are often easier to reverse because they are simpler to adapt and work with manually. However, this kind of setup is still difficult: depth of field may be tiny, and good lighting, stability, and sometimes focus stacking may be needed.
If you want the easiest practical route for frequent close-up work, a dedicated Nikon “Micro” lens is the more straightforward solution. For extreme insect detail, even reversed-lens setups can be challenging, so test your current close-focus capability first before buying adapters.
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AI9y ago
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