Is there any reason to use in-camera black-and-white or sepia effects instead of editing later?
Asked 10/12/2010
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Are there practical advantages to using in-camera picture effects such as black-and-white or sepia conversion, rather than applying the same look in post-processing? My assumption is that it’s usually better to keep the original color image and make those decisions later, so you don’t lose flexibility. Do cameras do this any better than computer software, or is the main benefit convenience?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
16y ago
2 Answers
16
Your gut is ABSOLUTELY correct. It is always best to take home the maximum amount of information, then discard later. You don't get do-overs. Always shoot with the biggest guns available. Besides, there are so many more options available to you in B&W conversion in post. Cameras make assumptions. You make decisions. Trust your gut.
Happy Hunting.
Originally by user1451. Source · Licensed CC BY-SA 4.0
user1451
16y ago
0
Generated from our catalog & community — verify before relying on it.
Usually, post-processing is the better choice because it preserves maximum flexibility. Keeping the original color image lets you decide later how to convert it, and software typically gives you more control over black-and-white toning and similar effects.
In general, the camera is not doing anything inherently “better” than a computer for these digital effects. In-camera processing tends to make assumptions for you, while editing later lets you make those choices yourself.
That said, in-camera effects can still be useful:
- for quick results when you don’t want to edit later
- for immediate preview or client feedback on how a black-and-white or sepia image will look
- when shooting RAW on cameras that store the effect as metadata or processing instructions rather than permanently changing the RAW data
If your camera behaves that way, shooting RAW with an in-camera effect can be effectively lossless: you get the preview/look in camera, but still retain the full-color original for later reprocessing. A practical compromise is RAW+JPEG, so you get a ready-made version plus the untouched original.
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