Can someone be photographed outside after sunset without using flash?
Asked 3/8/2013
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For a stage-play scene, I need to know whether a photographer could realistically take a picture of a person in a park after sunset without using flash. Would the subject need to be standing under a streetlight or other light source? Does the photographer also need to be in the light, or could they stay hidden in the dark?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
13y ago
2 Answers
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A streetlight in the park is sufficient for a photograph with modern cameras. However, the photographer doesn't need to be under the streetlight — the subject does. The photographer can (and, given the situation, sounds like should) stay completely in the dark.
Although it's slightly technical, take a look at this chart of exposure values at Wikipeda. In part:
Night street scenes and window displays 7–8
Night vehicle traffic 5
If your city park is well-lit by streetlights, it falls in this range. Let's assume the darker end of the range. This would mean that with an f/2.8 lens and ISO 3200, you would be able to take a photo with a shutter speed of ¹⁄₁₂₅th of a second — fast enough that subject motion blur won't be a big problem.
Any DSLR with a decent lens will be able to do that. The kit lens and cheap zooms won't have as fast an aperture, but if new enough the camera will have higher ISO to compensate. A really cheap point and shoot might struggle, but a decent one will be well within this.
If your character is a photographer with pro-level gear, this isn't even a problem. If you can give your photographer a really big telephoto lens, that should look impressive enough that you shouldn't need to explain that it would work for the pedants in the audience.
Originally by user1943. Source · Licensed CC BY-SA 4.0
user1943
13y ago
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Yes. A person can realistically be photographed outdoors after sunset without flash if there is some available light, especially a streetlight or passing car headlights. The key is that the subject needs to be illuminated; the photographer does not. In fact, the photographer could stay in the dark and still take the shot.
A subject standing under a park streetlight is a believable setup. The photo would likely have stronger shadows and a moody look, which fits a crisis scene. With a modern camera, a reasonably fast lens, and high ISO settings, this is very plausible. A slower shutter speed can also help, though too slow may blur movement.
So for stage directions, the most realistic setup is: the celebrity is standing in or near a pool of light from a streetlamp, while the photographer remains hidden in darkness some distance away. Extra light from a passing car could briefly improve the shot, but it isn’t required.
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