Most advanced digital film camera features 6K sensor with EF lens mount, built in motorized ND filters at 0, 2, 4 and 6 stops, tilt adjustable 1500 nit LCD and a larger battery. Supports optional EVF.
The elegant design of the Blackmagic Pocket Cinema Camera packs an incredible number of high end digital film features into a miniaturized, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5 inch LCD makes it possible to get perfect focus at 4K and 6K resolutions. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker.
The multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments! Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic Pocket Cinema Camera features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false color and more. The Blackmagic Pocket Cinema Camera 6K Pro also adds extra ND filter controls.
The 6K models have a native resolution of 6144 x 3456. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus the 6K models feature a larger Super 35 sensor that allows shooting with a shallow depth of field and anamorphic lenses. All models let you shoot up to 60 fps in full resolution or 120 fps windowed. An amazing sensor combined with Blackmagic color science means you get the same imaging technology as the most expensive digital film cameras.
The Blackmagic Pocket Cinema Camera 6K Pro features high quality, motorized IR ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical and IR wavelengths evenly, eliminating IR contamination of the images. Activation buttons are located on the rear of the camera body, placed within easy reach of your thumb from the multi function hand grip. User selectable filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!
The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Pocket Cinema Cameras have an incredible 13 stops of dynamic range which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colors than the standard DCI-P3 colorspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading!
In digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night! The Pocket Cinema Cameras feature dual gain ISO up to 25,600, which means they're optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights.
Blackmagic Pocket Cinema Camera records using standard open file formats so you don’t have to waste time transcoding media. Files are compatible with all post production software so you can work with the software of your choice, or use the included DaVinci Resolve Studio. Recording works in industry standard 10-bit Apple ProRes files in all formats up to 4K or 12-bit Blackmagic RAW in all formats up to 6K. Blackmagic RAW is the fastest growing RAW format. Developers can download and use the free Blackmagic RAW SDK to add support into their applications. Best of all media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.
The Blackmagic Pocket Cinema Camera features built in CFast and SD UHS-II card recorders, and a USB-C expansion port for recording direct to an external media disk. You can use regular SD cards for HD or higher performance UHS-II and CFast cards for native 4K or 6K when using Blackmagic RAW. Imagine capturing over an hour of full resolution 6K images on a single 256GB SD UHS-II card! The ProRes and Blackmagic RAW files work with all video software. You can even mount the media cards on your computer and start editing directly from them using the included DaVinci Resolve Studio software!
Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Video formats such as H.264 are highly compressed, plus add noise and weird artifacts, causing original sensor detail to be lost forever. Blackmagic RAW eliminates this problem and gives you stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!
The large LCD touchscreen displays critical information on the heads up display, or HUD, as well as access to camera setup menus. The HUD lets you see and adjust settings such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more with a single tap. You can show or hide the HUD by simply swiping up or down. Adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so you can tap any item and instantly change settings without searching through confusing menus! You can also access settings such as the digital slate, to quickly add metadata to any shot.
Blackmagic Pocket Cinema Camera features a large, bright 5 inch touchscreen that makes it easy for you to frame shots and accurately focus. That means you don’t have to carry around an external monitor! On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can quickly apply 3D LUTs for monitoring shots with the desired color and look. The Pocket Cinema Camera 6K Pro LCD monitor is a more advanced HDR display that can be tilted up and down so it's easy to monitor your shot from any position. Plus the 6K Pro model’s HDR display features 1500 nits of brightness, ideal for use in bright sunlight!
With the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!
Featuring the same generation 5 color science as the high end URSA Mini Pro 12K, the new Pocket Cinema Camera 6K Pro delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve Studio.
The Pocket Cinema Camera 6K Pro supports an optional viewfinder to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1280 x 960 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The Pocket Cinema Camera Pro EVF connects quickly to the Blackmagic Pocket Cinema Camera 6K Pro via a single connector. The viewfinder has a 70 degree swivel range and comes with 4 different types of eyecups for both left and right eyes.
Though small and portable, the Blackmagic Pocket Cinema Camera features a wide range of connections for audio, monitoring, power and more. The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10-bit output. That means you can connect an HDMI display for on set monitoring of images, with or without overlays that show critical information and camera status. There’s also a mini XLR connection with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector! The USB-C connection lets you connect and record direct to your media disk!
With professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again! Blackmagic Pocket Cinema Cameras feature a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The 6K Pro model features 2 mini XLR connections, allowing you to record 2 separate audio tracks using 2 mics, without an external mixer. The four built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound in any location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack.
The Blackmagic Pocket Cinema Camera features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and SSDs for significantly longer recording times. A high speed external disk allows shooting 6K in the highest constant quality 12-bit Blackmagic RAW in the Q0 setting or at high frame rates. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and color correction from the same disk, eliminating file copying.
Professional cameras include professional features and you also get a built in timecode generator, allowing shooting with more than one camera while keeping perfect sync! Simply plug in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras! Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots!
In addition to shooting video, the Blackmagic Pocket Cinema Camera can also capture high resolution stills. Simply press the dedicated stills button to record 21.2 megapixel images on the 6K models or 8 megapixel images on the 4K model. Still images are saved as fully uncompressed DNG frames, so you get the maximum image quality, which is perfect for making professional prints. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set.
If you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or trigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!
The 6K Pro model uses larger NP-F570 batteries. A locking DC power connector is used so you won't have to worry about losing power during a shoot. Plus the included AC plug pack can power the camera and charge the battery simultaneously. You also get a set of international socket adapters for worldwide use. Even the USB-C expansion port can trickle charge the battery, so you can use portable battery packs, mobile phone chargers or laptops. The optional battery grip lets you add extra batteries to dramatically extend the power of the camera so you can keep shooting all day!
Blackmagic Pocket Cinema Camera now works as a studio camera for live production when used with ATEM Mini! Video and control is via the HDMI connection, which is available as soon as you plug the cameras in. The record light becomes a tally light so you can see which camera is on air! The ATEM Software Control camera page has a camera control unit (CCU) style interface for adjusting and matching your cameras. Move the CCU control vertically for iris and left to right to adjust black level. It's the same as a broadcast CCU! There are also controls for color tint to balance cameras as well as focus, gain and shutter speed. You can even ISO record Blackmagic RAW in the camera for editing later!
All Pocket Cinema Camera models include a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a single software application! Now you can use the the same high end software that professional editors and colorists use!
Audio Recording | Built-In Mic: With Video (Stereo) |
Video Recording System | Yes, NTSC/PAL |
Video Clip Length | Up to 29 Min 59 Sec |
Video Recording System | 1920 x 1080, 1280 x 720 |
Video Resolution | 1920 x 1080p: 60 fps |
Video Clip Length | 1920 x 1080 12 min. 1280 x 720 12 min. 640 x 480 24 min. |
Video Resolution | <b>HD Video Standards: </b>1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60<br> <b>Ultra HD Video Standards: </b>2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60<br> <b>4K DCI Standards:</b> 4KDCIp23.98, 4KDCIp24, 4KDCIp25, 4KDCIp29.97, 4KDCIp30, 4KDCIp50, 4KDCIp59.94, 4KDCIp60 |
Video Recording System | Yes, NTSC |
Audio Recording | With Video, Mono, Via Optional External Mic |
Exposure Compensation | Flash exposure confirmation lamp lights in green * If it does not light, shooting is not performed with the standard exposure |
Exposure Compensation | Up to ±3 stops in 1/3- or 1/2-stop increments |
Flash Type | Auto pop-up, retractable, built-in flash in the pentamirror |
Flash Type | Shoe-mount E-TTL II/E-TTL autoflash Speedlites |
Built-in Flash | Yes |
Flash Type | On-Camera Flash |
External Flash Connection | Hot Shoe |
Flash Modes | Auto; Flash On; Off; Slow Sync |
Guide Number | Supports a shooting angle of view with a lens focal length of 24-105mm. The maximum Guide No. is approximately 141.1 ft./43m at ISO 100 and 105mm flash coverage. When the extendable wide panel is pulled out, the flash coverage is 14mm. |
Guide Number | 196.9' / 60 m at ISO 100 |
Guide Number | Approx. 39.4 ft./12m (at ISO 100) |
Guide Number | The maximum Guide No. is approximately 85.3 ft./26.0m at ISO 100 and 50mm flash coverage. |
Guide Number | The Guide No. is approximately 49.2 ft./15m at ISO 100. The maximum Guide No. is approximately 196.9 ft./60m at ISO 100 and 200mm flash coverage. When the extendable wide panel is pulled out, the flash coverage is 14mm. |
Recycle Time | Approx. 0.9 Second |
Recycle Time | When using AA/LR6 alkaline batteries: Normal flash: Approx. 0.1–5.8 sec., Quick flash: Approx. 0.1–5.3 sec.; When using AA/HR6 Ni-MH batteries: Normal flash: Approx. 0.1–3.1 sec. Quick flash: Approx. 0.1–2.7 sec. Nominal min. time when using 1900mAh type AA/HR6 Ni-MH batteries. Based on Canon Testing Standards. |
Recycle Time | Normal flash: Approx. 0.1-3.5 sec., Quick flash: Approx. 0.1-2.5 sec. |
Recycle Time | Normal flash: 0.1–5.5 sec.; Quick flash: 0.1–3.3 sec. |
Swivel Capability | 180° in either direction |
Swivel Capability | 180° |
Zoom Range | Effective flash range with EF 50mm f/1.4 lens at ISO 100; Normal Flash: Approx. 1.6–91.2 ft./0.5–27.8m ; Quick Flash (at Guide No. 68.2 ft./20.8m): Approx. 1.6–48.6 ft./0.5–14.8m; High-speed Sync (at 1/250 sec. shutter speed): Approx. 1.6–48.2 ft./0.5–14.7m |
Angle of Coverage | Full-Frame 24 to 200 mm |
Angle of Coverage | Effective flash range with EF 50mm f/1.4 lens at ISO 100. Normal Flash: Approx. 2.3-77.4 ft./0.7-23.6m; Quick Flash (at Guide No. 62.7 ft./19.1m): Approx. 2.3-44.6 ft./0.7-13.6m; High-speed Sync (at 1/250 sec. shutter speed): Approx. 2.3-42.0 ft./0.7-12.8m |
Sync Speed | 1 / 250 sec |
Sync Speed | High-Speed Sync provided (EOS-1D X and EOS 5D Mark III only) |
External Power Source | Yes |
Metering System | 7560-pixel RGB+IR metering sensor; 63-zone (9 x 7) metering: Evaluative metering (linked to all AF points), Partial metering (center, approx. 6.5% of viewfinder), Spot metering (center, approx. 3.2% of viewfinder), Center-weighted average metering |
Metering System | Center-Weighted, Evaluative, Spot |
Power Range | 1/1 to 1/8192 |
Model Light | Yes |
Bounce Capability | 0 to +120° |
Mounting | Shoe |
Exposure Control | Canon E-TTL / E-TTL II |
Angle of View (diagonal) | 63° |
Lens Magnification Factor | 1.8x |
Lens Type | Fisheye |
Lens Min. Focus Distance | 1.48 ft./0.45m (maximum close-up magnification 0.24x) |
Angle of View (diagonal) | 74 20' - 7 50' (with APS-C image sensors) |
Lens f Stop Range | 1.8-22 |
Special Remarks | 22.8 oz. |
Lens f Stop Range | 1.4-22 |
Maximum Aperture | 4.0 |
Focus Type | Auto / Manual |
Lens Min. Focus Distance | 0.52 ft. (0.16 m) |
Lens Filter Size | 58 mm |
Elements / Groups | 7 elements in 6 groups |
Angle of View (diagonal) | 180° |
Lens Min. Focus Distance | 11.5' |
Lens Filter Size | 72mm |
Lens Type | Telephoto |
Angle of View (diagonal) | 51°55’ |
Lens Min. Focus Distance | 0.92 ft. (0.28m) |
Angle of View (diagonal) | 74° 20' - 11° 30' |
Focus Type | Autofocus |
Lens f Stop Range | 15mm |
Lens Type | Standard Zoom Lens |
Angle of View (diagonal) | 104 Degrees |
Lens Filter Size | None |
Lens f Stop Range | 5.6-32 |
Lens Magnification Factor | 0.34x |
Angle of View (diagonal) | 84° |
Lens Min. Focus Distance | 0.8 ft. |
Minimum Aperture | 22 |
Lens Filter Size | 77 mm |
Lens Min. Focus Distance | 1.28 ft. (0.39m) |
Lens Min. Focus Distance | 9.84"" (25 cm) |
Lens Min. Focus Distance | 0.16m / 6.2 in. |
Lens Magnification Factor | 0.15x |
Lens Min. Focus Distance | 8.27 in. |
Lens Min. Focus Distance | 0.82 ft. |
Lens Min. Focus Distance | 7.87" / 20 cm |
Lens Magnification Factor | Approx. 0.71x/33.3° (with 50mm lens at infinity, -0.1 m) |
Angle of View (diagonal) | 59°10' |
Lens Filter Size | 43mm |
Elements / Groups | 9/10 |
Lens Filter Size | 77mm |
Lens f Stop Range | 3.5-5.6 |
Maximum Aperture | 1.4 |
Lens Min. Focus Distance | Normal Mode: 0.318 ft.(0.097m); Super Macro Mode: 0.305 ft.(0.093m) |
Lens Filter Size | 67mm |
Focus Drive | AF with full-time manual |
Lens Filter Size | Rear Gel Holder (accepts up to 3 pre-cut gel filters) |
Maximum Aperture | f/2.8 |
Maximum Aperture | f/3.5-5.6 |
Lens f Stop Range | f/4 |
Lens Hood | 2.69 x 2.19 in |
Focus Drive | Ultrasonic |
Lens Filter Size | 52mm |
Elements / Groups | 9/11 |
Focus Drive | Lens extension via inner focusing and focus cam plus floating mechanism |
Lens Filter Size | Gel Filter (Rear) |
Lens Type | Prime Lens |
Lens Type | Tilt Shift |
Lens Hood | EW-83k |
Lens Type | Wide-Angle |
Lens Magnification Factor | No |
Lens Type | Zoom Lenses |
Maximum Aperture | F/1:2.8 |
Elements / Groups | 14 / 11 |
Angle of View (diagonal) | 6 10' |
Focus Type | Auto / Manual |
Mount Type | Canon EF-M |
Elements / Groups | 16 elements in 11 groups |
Lens Magnification Factor | 0.39x |
Maximum Aperture | F/1.4 |
Angle of View (diagonal) | 84 |
Angle of View (diagonal) | 75° |
Maximum Aperture | f/5.6 maximum aperture |
Lens Type | Macro |
Focus Type | AF with full-time manual |
Maximum Aperture | f/1.8 |
Elements / Groups | 14 Elements / 11 Groups |
Maximum Aperture | f/3.5 |
Maximum Aperture | 3.5–5.6 |
Elements / Groups | 18 elements in 12 groups |
Maximum Aperture | f/4 |
Lens Filter Size | 82 mm |
Minimum Aperture | f/22 |
Elements / Groups | 16 elements in 12 groups, including UD-glass and aspherical lenses |
Mount Type | Canon EF-S |
Angle of View (diagonal) | 114° |
Lens Aperture | f/2.8 (W) - 5.6 (T) |
Focal Length | 14mm |
Optical Zoom | 3x |
Length | Approx. 0.9 in. (22.8 mm) |
Length | 4.2 in. (105.5 mm) |
Weight | Approx. 4.4 oz. (125 g) |
Weight | 1.4 lb / 645 g |
Weight | 26.8 oz. (760 g) |
Weight | Approx.18.2 oz (515g) |
Dimensions | 3.15 x 3.7" / 80 x 94 mm |
Format Compatibility | Full-Frame |
Image Stabilization | None |
Diaphragm Blades | 6, Rounded |
Digital Zoom | 4x |
Memory Card Type | 1x CFast 2.0.<br>1x SD UHS-II card.<br>1x high speed USB-C expansion port for external media. |
AF Points | 19-point cross-type AF All AF points are cross-type at f/5.6. Center AF point is cross-type at f/2.8. |
Metering Range | EV 1-20 (at 73°F/23°C, ISO 100) |
Metering Range | EV 1 - 20 (at 73°F/23°C, ISO 100) |
Focus Modes | (1) Autofocus One-Shot AF Predictive AI Servo AF AI Focus AF *Switches between One-Shot AF and AI Servo AF (2) Manual focus |
Focus Modes | Autofocus: One-Shot AF, Predictive AI Servo AF (AI Servo AF II), AI Focus AF [Switches between One-Shot AF and AI Servo AF automatically]; Manual focus |
AF Points | Up to 45 points (cross-type AF points: max. 45) |
Length | 3.8"(96mm) |
Length | 10.1"" |
Maximum Diameter | Approx. 2.7 in. (68.2 mm) |
Length | 6.40 in. |
Weight | 1.81 lb (821 g) |
Weight | Approx. 10.41 oz. (295 g) |
Weight | 5.1 lb / 2.3 kg |
Length | 2-3/16 in. |
Weight | Approx. 15.34 oz. (435g) |
Weight | 1.4 lb (650g) |
Maximum Diameter | 3.1" (77.4mm) |
Maximum Diameter | 3.1 in. |
Weight | Approx. 26.7 oz. / 755g (W Model: CIPA standard) Approx. 23.8 oz. / 675g (W Model: Body only) |
Weight | 10.9 oz. |
Length | 3.5 x 4.2"" (8.89 x 10.67 cm) |
Maximum Diameter | 3.5"" |
Weight | 20.99 oz. |
Weight | 4.9 oz (139 g) |
Weight | approx. 4.6 oz (130g) |
Weight | Approx. 26.98 oz. (765g) (including battery and card); Approx. 24.16 oz. (685g) (body only) |
Weight | Approx. 6.70 oz. (190g) excluding batteries |
Weight | 19.1 oz. |
Maximum Diameter | 3.2 in. (80.4 mm) |
Weight | 27.5 oz (780 g) |
Length | 3.7 in. |
Weight | 2.73 lbs (1.24kg) |
Length | 1.8 in. (45.5mm) |
Weight | 2.36 lb (1.07 kg) |
Weight | 14.07 oz (399 g) |
Length | 3.4"" (87mm) |
Maximum Diameter | 2.4 in.(60.9mm) |
Maximum Diameter | 3.7"" (94mm) |
Weight | 11.2 oz (317.5 g) |
Dimensions | Approx. 5.67 x 4.35 x 2.94 in. (144.0 x 110.5 x 74.8mm) |
Dimensions | Approx. 5.5 x 4.1 x3.1 in. Approx. 139.0 x 104.3 x 78.5mm |
Dimensions | 8.2 x 8 x 5.8" / 21 x 20.1 x 14.7 cm |
Dimensions | 3.3 x 5.9 x 5.3" |
Dimensions | Approx. 3.5 x 4.2" (8.89 x 10.67 cm) |
Dimensions | 4.5 x 3.1 x 2.0" (115.0 x 77.9 x 51.4 mm) |
Dimensions | Approx. 2.78 x 4.48 x 3.87 in. (70.5 x 113.8 x 98.2 mm) |
Dimensions | 7.08 x 4.41 x 4.84" (17.98 x 11.20 x 12.3cm) |
Dimensions | Approx. 3.10 x 5.64 x 4.83 in. (78.7 x 143.2 x 122.7mm) |
Dimensions | Approx. 2.54 x 3.61 x 2.79 in. (64.6 x 91.7 x 71.0mm) |
Color | Black |
Color | White |
Load Capacity | 44.09 lb (20 kg) |
Materials | Carbon Fiber and Magnesium Alloy |
Number of Sections | 4 |
Top Attachment Size | 3/8"-16 Male |
Load Capacity | 44.1lbs |
Leg Lock Type | Twist Lock |
Minimum Working Height | 15in |
Weight | 4.32lb |
Interface & Connectivity | USB Terminal: Hi-Speed USB (USB 2.0); Video Out Terminal: Type C (Resolution switches automatically); Extension System Terminal: 3.5mm diameter stereo mini jack |
Interface & Connectivity | HDMI D (Micro), Micro-USB, USB 2.0 |
Operating Systems & Requirements | Windows: XP, Vista, 7 Mac: OS X 10.4 or later |
Interface & Connectivity | Video Connectors: 1 x BNC (12G-SDI) Input 2 x BNC (12G-SDI) Output |
Interface & Connectivity | Audio Connectors: 2 x 3-Pin XLR Mic/Line Level (+48 V Phantom Power) Output 1 x 1/8" / 3.5 mm TRRS Headphone/Microphone Input/Output |
Flash Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments |
Coverage | Transmission Angle: 360° all around |
Minimum Height | 22.05 in (56 cm) |
Compatible Cameras | Type-A EOS cameras (E-TTL II/E-TTL autoflash) |
Compatible Cameras | Type-A EOS cameras (E-TTL II/E-TTL autoflash); Type-B EOS cameras (TTL autoflash) |
Image Sensor | Effective Sensor Resolution: 4608 x 2592 |
Megapixels | 20.2 MP |
Total Pixels | 25.8 Megapixel |
Transmission System | Radio Transmission |
Type (Multi) | Radio transmissions wireless Speedlite transmitter |
Custom Functions | 10 Functions |
ISO Range | Normal: ISO 100–40000 (in 1/3-stop or whole-stop increments); Expanded: L (ISO 50), H1: 51200, H2: 102400 |
Material | Aluminium |
Size | 42.1 x 39.4" (106.9 x 100.1 cm) |
Maximum Height | 64.6 in (164.08 cm) |
Closed Length | 22 in (56 cm) |
Image Stabilization | Optical |
Frame Rate | @ 1920 x 1080: 30 fps, 24 fps, 25 fps @ 1280 x 720: 60 fps, 50 fps @ 640 x 480: 60 fps, 50 fps |
AF Assist Beam | Enable, Disable, IR AF assist beam external flash only |
Approximate Working Range | Center AF Point: EV -0.5 to 18* Other AF Points: EV 0 to EV 18* * At room temperature and ISO 100, based on Canon's testing standards |
AF Assist Beam | Effective Range (Approx.): At center: 13.1 ft./4.0m; With the illumination angle at 24mm, without bounce. |
Power | Two AA/LR6 alkaline batteries: AA/HR6 Ni-MH batteries also usable, Lithium batteries cannot be used. |
Custom Functions | 3 Custom Functions |
Slave Operation Confirmation | Green Light Lit: Radio Transmissions Okay Red Light Lit: Not Connected Blinking: Transmission Error/ Too many units (Master units + slave units = more than 16 units) Orange Light Lit: Sub-master transmission Blinking: Receiving remote release shooting, linked shooting signal |
Compatible Cameras | Type A EOS cameras (E-TTL II/E-TTL autoflash) |
Transmission Range | Approx. 98.4 ft. (30m) |
Coverage | 100% |
Battery Life | Battery Life: Approx. 10 hours continuously *When using AA/LR6 alkaline batteries used (At a room temperature +23°C/73°F). |
AF Assist Beam | Emission method switchable in Personal Functions between Intermittent flashes and Infrared AF-assist beam. Emitting small series of flashes is supported during viewfinder shooting, and Quick mode during Live View shooting or movie shooting. |
Total Pixels | Approx. 27.1 megapixels |
ISO Range | Auto, 100-25600 |
Coverage | 3:2 - Approx. 98% vertically/horizontally; 4:3 - Approx. 98% vertically/horizontally; 16:9 - Approx. 96% vertically, Approx. 98% horizontally; 1:1 - Approx. 98% vertically, Approx. 97% horizontally; Monitor: 100% |
Image Sensor | CMOS; Approx. 22.5mm x 15.0mm (APS-C) |
Mounting Options | 1 x 1/4"-20 Female 1 x Battery Plate Mount |
Maximum Height | 63.6in |
Total Pixels | 20.9 Megapixels |
AF Assist Beam | Intermittent firing of built-in flash Effective range: Approx. 13.1 ft. / 4.0m at center, approx. 11.5 ft. / 3.5m at periphery |
Megapixels | 26.2 MP |
Compatible Media | SD card, SDHC card, SDXC memory card * Compatible with Ultra High Speed (UHS-I) memory cards and Eye-Fi cards (Built-in wireless LAN cannot be used simultaneously with Eye-Fi cards). |
Compatible Media | 2 x CFast 2.0 Card Slots 2 x SDXC UHS-II Card Slots |
Weight | 1.5 lbs (with Battery) |
Image Sensor Size | 23.10mm x 12.99mm (Super 35) |
Image Sensor Size | 25.34 x 14.25 mm (Super35) |
Autofocus | TTL secondary image-forming, phase-difference detection with AF-dedicated CMOS sensor |
Camera Type | Digital AF/AE single-lens reflex camera with built-in flash |
Lens Mount | Canon EF mount |
Eyepoint | Approx. 22mm (At -1m-1 from the eyepiece lens center) |
Camera Type | Digital AF/AE single-lens reflex camera |
Image Sensor Size | 22.3 x 14.9 mm |
Exposure Modes | Aperture Priority, Auto, Manual, Program, Shutter Priority |
Flash Control | Ratio control: 1:8 - 1:1 - 8:1, power 1/2-stop increments |
Exposure Modes | Aperture Priority, Manual, Program, Shutter Priority |
Image Sensor Size | Approx. 35.9 x 24.0mm (Full-frame) |
Focusing Screen | Fixed |
Lens Mount | EF mount |
Lens Mount | Canon EF mount |
Usable Lenses | Canon EF lenses (including EF-S lenses) |
Effective Pixels | Approx. 20.2 Megapixels |
Aspect Ratio | 3:2 |
Aspect Ratio | 3:2 (Horizontal: Vertical) |
Aspect Ratio | 3:2 (Horizontal:Vertical), 4:3, 1:1, 16:9 |
Aspect Ratio | 3:2 |
ISO Sensitivity | Dual Native ISO: 400 and 3200 |
Monitor Size | 5" 1920 x 1080 |
Continuous Shooting Speed | High-speed continuous shooting: Max. approx. 7.0 fps * At 1/500 sec. or faster shutter speed, and at the maximum aperture (varies depending on the lens) Low-speed continuous shooting: Max approx. 3.0 fps. Silent continuous shooting: Max approx. 3.0 fps. |
Battery Type | 1 x Rechargeable (Lithium-Ion) |
Battery Type | None |
Continuous Shooting Speed | Up to 9 fps at 24.2 MP; Up to 7 fps at 24.2 MP |
Battery Type | Rechargeable Li-Ion Battery Pack |
AC Adapter | ACK-E6 |
Battery Type | AA/LRG Alkaline Batteries x2 (Ni-MH and Lithium batteries can also be used) |
Maximum Burst | Based on 8GB memory Card: JPEG Large/Fine: Approx. 40 Shots RAW: Approx. 15 Shots RAW+JPEG Large/Fine: 8 Shots Based on 8GB UHS-I memory card: JPEG Large/Fine: Approx. 65 Shots RAW: Approx. 16 Shots RAW + JPEG Large/Fine: 8 Shots |
Battery Type | Battery Pack LP-E6N (or LP-E6) x 1 |
Battery Type | 1 x NB-13L Rechargeable Lithium-Ion Battery Pack, 3.6 VDC, 1250 mAh |
AC Adapter | ACK-DC100 (Optional) |
Start Up Time | Approx. 0.15 sec. (Based on CIPA testing standards) |
Battery Type | Battery Pack LP-E6 x1 |
Drive Modes | (1) Single shooting (2) High-speed continuous shooting (3) Low-speed continuous shooting (4) Silent single shooting (5) Silent continuous shooting (6) 10-sec. self-timer/Remote control (7) 2-sec. self-timer/Remote control |
Power Input | 1 x 4-Pin XLR Input 1 x 12-Pin Molex Input/Output 1 x 4-Pin XLR (12 VDC) Output |
Battery Capacity | 3500mAh |
Battery Runtime | Approximately 60 minutes |
Shutter Speeds | 1/4000 to 30 sec., bulb (Total shutter speed range. Available range varies by shooting mode) |
Shutter Speeds | 1/8000 to 30 sec., X-sync at 1/250 sec. (Total shutter speed range. Available range varies by shooting mode.) |
Shutter Speeds | 30 - 1/2000 Second; 1 - 1/2000 Second in Auto Mode; 30 - 1 Second in Bulb Mode; 1/8 - 1/8 Second in Movie Mode |
Self Timer | 10-sec. delay, 2-sec. delay, continuous shooting (after 10 sec., 2 to 10 shots) |
Self Timer | 10-sec. or 2-sec. delay |
Self Timer | 2, 10 Sec |
Remote Control | RS-80N3, LC-5, RC-1, RC-5 & RC-6 (Optional) |
Shutter Type | Vertical-travel, mechanical, focal-plane shutter with all speeds electronically-controlled |
Shutter Type | Vertical-travel, mechanical, focal-plane shutter with all speeds electronically controlled |
Direct Print Capable | PictBridge-compatible printers |
Exposure Control | Creative Zone: Program AE (shiftable), Shutter-priority AE, Aperture-priority AE, Manual exposure (including bulb); Basic Zone: Scene Intelligent Auto (Program AE/ non-shiftable), Creative Auto; Special Scene: Portrait, Group Photo, Landscape, Sports, Kids, Panning, Close-up, Food, Candlelight, Night Portrait, Handheld Night Scene, HDR Backlight Control |
Color Temperature | Blue/amber bias: ±9 levels, Magenta/green bias: ±9 levels, Corrected in reference to the current WB mode’s color temperature |
Exposure Compensation | -3 EV to +3 EV (in 1/3 EV Steps) |
Exposure Compensation | Manual: ±5 stops in 1/3- or 1/2-stop increments; AEB: ±3 stops in 1/3- or 1/2-stop increments |
Color Space | sRGB/Adobe RGB |
Image Formats | JPEG, RAW |
Image Formats | Still: JPEG: JPG, RAW: CR2 (Canon Raw 2nd edition), RAW+JPEG Video: MOV (Image data: H.264, Audio: Linear PCM) |
Image Formats | JPEG, RAW (14-bit Canon original) |
Color Space | sRGB, Adobe RGB |
Sensor Type | CMOS |
Sensor Type | 4.6K Super 35 HDR CMOS Sensor |
Color Filter System | RGB primary color filters |
Sensor Type | CMOS sensor (supporting Dual Pixel CMOS AF) |
Erase Modes | Erase single image, erase selected images, erase all images in folder, erase all images on a card, or erase only unprotected images |
ISO Speed | 100-6400 (Extended Mode: 100-12800) |
White Balance | Auto, Cloudy, Color Temperature, Daylight, Flash, Fluorescent, Shade, Tungsten, Underwater |
White Balance | Auto (Ambience priority/White priority), Daylight, Shade, Cloudy, Tungsten light, White fluorescent light, Flash, Custom (Custom WB), Color temperature |
White Balance | Auto, Preset (Daylight; Shade; Cloudy, Twilight, Sunset; Tungsten light; White Fluorescent Light; Flash), Custom (Approx. 2,000° - 10,000°K), Color Temperature (Approx. 2,500° - 10,000°K) |
Meter Modes | TTL maximum aperture metering with 63-zone metering sensor: Evaluative metering (linked to all AF points) Partial metering (center, approx. 7.7% of viewfinder) Spot metering (center, approx. 3.0% of viewfinder) Center-weighted average metering |
Exposure Compensation | (1) Manual: ±5 stops in 1/3- or 1/2-stop increments (2) AEB: ±3 stops in 1/3- or 1/2-stop increments |
Focal Length | 15-45mm (35 mm equivalent: 24-72mm) |
Focal Length | 24mm |
Focal Length | 8-15mm |
Focal Length | 17mm |
Focal Length | 18-200mm |
Screen Size | 4" LCD Touchscreen |
Screen Size | 3.0-inch |
Display Type | TFT color, liquid-crystal monitor with Touch Panel LCD (capacitive type) |
Display Type | LCD Rear Touch Screen Swivel |
Display Type | TFT color, liquid-crystal monitor |
Monitor Resolution | Approx. 1.04 million dots |
Monitor Resolution | Approx. 1,040,000 dots |
Monitor Resolution | 1,040,000 pixels |
Definition | 4.6K |
Camcorder Type | Handheld Pocket Cinema Camera |
Recording Formats | Raw 12-Bit: 4608 x 2592 at 60/120 fps 3840 x 2160 at 30/60/150 fps 1920 x 1080 at 30/60/300 fps |
Recording Formats | ProRes 4444XQ 4:4:4 10-Bit: 3840 x 2160p (312.5 MB/s) 1920 x 1080p (62.5 MB/s) ProRes 422HQ 4:2:2 10-Bit: 3840 x 2160p (110 MB/s) 1920 x 1080p (27.5 MB/s) |
Bit Rate | ProRes 4444XQ 4:4:4 10-Bit, ProRes 422HQ 4:2:2 10-Bit, Raw 12-Bit |
Recording Media | RAW Output: USB: 4096 x 2592 at 60 fps 3840 x 2160 12-Bit at 60 fps 1920 x 1080 12-Bit at 30/60 fps |
Built-In ND Filter | Four position ND filter with clear, 2-stop, 4-stop and 6-stop IR ND filters |
Built-In Microphone | Integrated stereo microphone |
Audio Connectors | 2 x mini XLR analog switchable between mic with phantom power support and line level (up to +14dBu).<br> 1 x 3.5mm Stereo Input. Can also be used for Timecode input.<br> 1 x 3.5mm headphone jack. |
Battery | NP-F570 battery |
Still Image Resolution | 6144 x 3456 (6K) up to 50 fps,<br> 6144 x 2560 (6K 2.4:1) up to 60 fps,<br> 5744 x 3024 (5.7K 17:9) up to 60 fps, <br> 4096 x 2160 (4K DCI) up to 60 fps, <br> 3840 x 2160 (Ultra HD) up to 60 fps, <br> 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps, <br> 2868 x 1512 (2.8K 17:9) up to 120 fps, <br> 1920 x 1080 (HD) up to 120 fps |
Built-In Speaker | 1x mono speaker |
Wi-Fi Capable | Yes, 802.11b/g/n built-in |
Brand | Canon |
Brand | Blackmagic |
Brand | Canon |
Brand | Benro |
Wi-Fi Support | IEEE 802.11b/g/n |
Bluetooth Support | Bluetooth Specification Version 4.1 compliant (Bluetooth low energy technology) |
Body Only | Body Only |
Battery Chemistry | Lithium |
Used Condition |
Viewfinder Type | Electronic |
Viewfinder Type | Eye-level SLR (with fixed pentaprism) |