


The GY-HC500 is a handheld 4K production camcorder that offers uncompromised live and recorded image quality and connectivity. Shoot 4K ultra-HD with HDR and record to SSD or SDHC/SDXC media in a wide variety of formats including ProRes. Ultra-HD ProRes 422 10-bit at 50/60p is possible when recording to SDD media**, including HD (1920 x 1080) in the ProRes 422 and 422HQ formats. The GY-HC500 CONNECTED CAM also features high-performance 1080 60p/50p live streaming with advanced Secure Reliable Transport (SRT) QoS, and a full complement of IP remote control and viewing features. With the optional KA-EN200G encoder, streaming is possible with incredibly efficient HEVC/H.265 compression. It's truly the most advanced and versatile camcorder in its price range.
The GY-HC500 features a 1-inch CMOS 4K image sensor for uncompromised cinema and video production. This large sensor delivers a superior dynamic range, high S/N ratio and high sensitivity (F11 at 2000lx), contributing artistic visual expression including shallow depth of field 'bokeh' capability.
The GY-HC500 is equipped with a newly developed wide-angle 20x optical zoom lens to offer optimal magnification for shooting. When shooting in HD mode, Dynamic Zoom combines optical zoom and pixel mapping from a 4K image sensor to create seamless and lossless 40x zoom. Take total control of the scene with triple large rings for zoom, focus, and iris for smooth shooting. Other features include an optical image stabilizer and chromatic aberration correction.
The Auto Focus and Focus Assist functions of the GY-HC500 provide the highly accurate, stable focusing that is essential for 4K shooting. Moreover, its broad customizability enables it to perform in a variety of shooting situations.
The GY-HC500 is equipped with an HDR compatible HLG (Hybrid Log Gamma) mode and JVC's proprietary J-Log 1 Gamma mode. These enable high dynamic range capture of a broad color spectrum with 10-bit recording for better color grading and to avoid banding. Footage recorded in HLG mode will deliver a full HDR image when viewed on HLG-compatible monitors. The J-Log 1 mode delivers wide latitude and a high dynamic range of 800%. In the field, it's possible to record while checking the image on the GY-HC500's LCD screen or viewfinder to get a grasp of the final output.
GY-HC500 supports HLG recording which enables simple HDR workflow without color grading. Avoiding clipped highlights or shadows, images are more realistic and vibrant. BT.2020 which offers wider color gamut is also supported.
The GY-HC500 records in Apple ProRes 422 for attention-grabbing 4K 60p/50p image creation. Apple ProRes 422 HQ offers virtually lossless intra-frame compression, which speeds up post-production. Footage is recorded in native file formats that are understood by most major editing applications without transcoding. This is helpful for efficient workflow of editing and post process. The 4:2:2 format also provides richer color information and 10-bit recording delivers rich gradations—a definite advantage for grading work after recording.
Large-capacity, readily-available SSDs (SATA M.2 SSD Type2280) are compatible, so extended-time 4K UHD/HD up to 60p/50p video recording is possible. Just plug it into the camera's extended slot (using the optional SSD adapter KA-MC100G). SSD media delivers excellent sequential read speed to tackle professional workload. High-speed transfer of huge amounts of recorded footage is possible.
GY-HC500 offers dual SDHC/SDXC card slots to let you record 4K 30p/25p/24p or HD video on readily available, affordable media. Unique features using two cards include:
Its robust body makes the GY-HC500 ready to work in harsh environments and situations. Excellent construction in weather resistance enables image gathering in the field with confidence.
IR filter can be switched disabled (Infrared ON) to increase infrared sensitivity for shooting in extremely low illuminance.
The GY-HC500 is capable of streaming LIVE HD/SD and proxy video/audio files via network up to 24Mbps with low latency. High quality, stable streaming is possible from the field using just the camera itself*. No need to carry a heavy backpack or external boxes.
*With an appropriate network connection
SRT (Secure Reliable Transport) is an open source video transport protocol that enables the delivery of high-quality and secure, low-latency video across the public Internet. SRT optimizes streaming performance across unpredictable networks with secure streams and easy firewall traversal, bringing the best quality live video over the worst networks. It accounts for packet loss, jitter, and fluctuating bandwidth, maintaining the integrity and quality of your video.
SRT provides end-to-end security, resiliency and dynamic endpoint adjustment based on real-time network conditions to deliver the best video quality at all times on any network.
SRT is built-in and can be dynamically adjusted for optimal stream performance and quality. Automatic Repeat Request (ARQ) is included with SRT. End-to-end 128/256 bit AES encryption makes sure your content is protected from contribution to distribution.
When the camera is IP connected, vital camera operations can be remotely controlled via wireless or wired LAN from a tablet, smartphone, or computer anywhere in the world. Remote control functions include lens and camera settings as well as registering zoom presets and IP connection settings.
It's possible to upload video clips to an FTP server via IP. Auto FTP function allows you to start uploading a recorded clip without opening the menu screen.
When combined with the KM-IP6000/KM-IP4100 CONNECTED CAM switchers, multi-camera synchronization is possible using Network Time Protocol. Suitable for compact live production and at-home switching, NTP is used to synchronize cameras rather than traditional sync cables.
It's possible for the person in front of the camera to engage in a 2-way interview with return video and audio while streaming live to air via IP network. This allows reporters to wirelessly receive directions from the station, and camera operators to re-adjust framing as directed from another location. Multi-camera applications are supported as well.

| Lens Filter Size | 82mm |
| Maximum Aperture | f/2.8 to 4.5 |
| Focus Type | Auto and Manual Focus |
| Focal Length | 9.4mm-188.6mm (35mm Equivalent Focal Length: 28mm-560mm) |
| Weight | 7.94lbs |
| Dimensions | 7.7" x 9.1" x 17.5" |
| Focus Modes | Automatic<br>Manual Focus</br> |
| Battery Type | JVC BN-VC296G |
| Megapixels | Effective: 9.35 Megapixel |
| Compatible Media | SD/SDHC/SDXC (UHS-I) [U3/V30 or Faster Recommended] |
| Screen Size | 3.97" |
| Viewfinder Resolution | 1280 x 960 (1,228,800 Dot) |
| Memory Card Slot | Dual Slot: SD/SDHC/SDXC (UHS-I) [U3/V30 or Faster Recommended] |
| Recording File Format (Video) | <b>ProRes 422 HQ/ProRes 422/ProRes 422LT 4:2:2 10-bit</b><br>3840 x 2160 up to 50/59.94 fps<br><b>H.264 4:2:2 10-Bit</b><br>3840 x 2160 at 24.00/25/29.97 fps (70 to 150 MB/s)<br>1920 x 1080 (8 to 50 MB/s)<br>1280 x 720 (8 to 50Mb/s)<br><b>H.264</b><br>720 x 480 [8 Mb/s]<br>960 x 540 [1.2 to 3 Mb/s]<br>480 x 270 [1.2 to 3 Mb/s]</br> |
| Audio Recording | LPCM 2ch 48kHz/16-bit (MOV/MXF*)<br>µ-Law 2ch (Proxy) AAC 2ch (MP4)</br> |
| Brand | JVC |
| Viewfinder Type | Built-In Electronic (LCOS) |